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【上苑評述】“超結構主義群展”觀后感 | 王德才
[2023-8-6 17:43:36]
【上苑評述】“超結構主義群展”觀后感 | 王德才
The View on the "Superstructuralism Group Exhibition" at Shangyuan Art Museum
(Associate Professor, Academic Member, School of Art and Design, Tianjin University of Science and Technology)
藝術活動是表達人類社會精神世界的主要行為方式之一。我們身處科技高速發展的當下，依然面臨很多困難和無助。比如環境污染、自然災害、傷病、衰老，這些我們依然無法避免，找不到很好的解決方式。幸虧有了藝術，使人可以思考和表達，療愈著精神上的傷痛。
Art activities are one of the main ways of expressing the spiritual world of human society. We are still facing many difficulties and helplessness in the current era of rapid technological development. For example, environmental pollution, natural disasters, injuries, diseases, and aging are still unavoidable and we cannot find good solutions. Fortunately, with art, people can think and express themselves, healing their mental pain.
石祥宇《夜郎-支格阿魯趕山》，鋼化玻璃水墨，93x139cm，2022
由北京上苑藝術館主辦、湯軍和詹明昭共同策展的“超結構主義群展”，吸引了來自全國各地以及臺灣、澳大利亞、法國的藝術家積極參與。本次展覽以策展人“超結構主義”藝術思想為主題，并細分為他世界、意結構、異生命、暗星球、酷藝史幾個單元。藝術家以各自專業的繪畫、動畫、雕塑、行動藝術、文字形式來展示作品。其中很多作品很有特點，令人印象深刻，對于參觀者是一場豐富而熱烈的視覺盛宴。
The "Superstructuralism Group Exhibition", sponsored by Shangyuan Art Museum in Beijing and co curated by Tang Jun and Zhan Mingzhao, attracted artists from all over the country, Taiwan, Australia and France to actively participate. The theme of this exhibition is the curator’s "Superstructuralism" art thought, and it is divided into several units: other world, the structure of the idea, different life, dark planet, and cool art history. Artists showcase their works in their respective professional forms of painting, animation, sculpture, action art, and text. Many of these works are very distinctive and impressive, making them a rich and enthusiastic visual feast for visitors.
郭慶利的《水之態》是個動態裝置，構思巧妙，能感受到流動且不確定的線條和肌理形態之美。湯軍的《時間之軸》裝置看似簡單，但其中蘊含了作者對空間、時間、維度的多重理解和想象，從三維、四維到十維空間，不同的維度軸代表著不同的認知，包含了對鏡像與糾纏等物理學現象的思考。呂美的紙本水墨《無題之一》用最難以表現硬度和清晰度的水墨技法，表現規律交錯的直線，在直線中顯現黑洞、白洞，體現超時空的幻想。澳大利亞藝術家Michael Downs的《能量2》，通過混合媒介以及被直線和自由曲線分割的幾何形、偶然形，再加上豐富的色彩組合，來闡釋能量的概念，具有“解構主義”形式。賈詩凡油畫《精神解剖》通過傳統架上繪畫的方式，展示出對于人體的精神解剖，充滿奇思遐想。當然其他藝術家的作品也都質量很高，特別是那些行為藝術和文字符號作品，這些實驗藝術作品向觀眾展示著獨特的藝術主張和思考。
Guo Qingli’s "The State of Water" is a dynamic device, cleverly designed to feel the beauty of flowing and uncertain lines and texture shapes. The installation of Tang Jun’s "Axis of Time" may seem simple, but it contains the author’s multiple understanding and imagination of space, time, and dimensions. From three-dimensional, four-dimensional to ten-dimensional space, different dimension axes represent different cognitions, including reflections on physical phenomena such as mirroring and entanglement. Lv Mei’s paper based ink and wash "Untitled One" uses the most difficult ink and wash technique to express hardness and clarity, depicting alternating straight lines, revealing black holes and white holes in the straight lines, reflecting the fantasy of transcending time and space. The Australian artist Michael Downs’ Energy 2 explains the concept of energy through mixed media, geometric shapes and accidental shapes separated by straight lines and free curves, plus rich color combinations, and has the form of "Deconstruction". Jia Shifan’s oil painting "Spiritual Anatomy" showcases the spiritual anatomy of the human body through traditional easel painting, full of imaginative ideas. Of course, the works of other artists are also of high quality, especially those of Performance art and character symbols. These experimental art works show the audience unique artistic ideas and thinking.
湯軍《飛翔的維納斯》+《時間之軸》，石膏像及綜合材料，2023
當代藝術一個最重要特征就是作品的符號化，從而增強辨識度。當初在包豪斯學院，風格派、構成派、達達派、冷抽象與熱抽象的藝術家和工程師與藝術青年拓寬了藝術探索的領域，影響了后來的波普藝術。這些藝術形式已成為全世界的精神遺產。現在研究單純形態的抽象藝術家在新時代有著更新的理解。
One of the most important features of contemporary art is the symbolization of the work, thereby enhancing recognition. At Bauhaus College, artists, engineers and young artists of style, composition, Dada, cold and hot abstractions broadened the field of art exploration and influenced the later Pop art. These art forms have become the spiritual heritage of the world. Now abstract artists who study simple forms have a new understanding in the new era.
李鵬波《美麗新世界》，裝置，材料：避孕套+燈珠，90x104x8cm，2022
湯軍是具有開拓性思維的藝術家，他提出的“超結構主義”思想極具超前思維。他定義“超結構”為“超越日常時空結構”。超結構主義就是新的時空觀，不斷革新的時空觀。超結構主義要打破這個現實的四維時空，獲得對他時空的新理解、新認識和新知識。
Tang Jun is an artist with pioneering thinking, and his thought of "Superstructuralism" is very advanced. He defines "super-structure" as meaning "beyond the structure of daily spacetime". Superstructuralism is a new concept of time and space, a constantly innovative concept of spacetime. Superstructuralism wants to break the four-dimensional spacetime of reality and gain new understanding, new knowledge and new knowledge of other spacetime.
孫曉斌《蝠鲼》，雕塑，金屬鐵，28x20x75cm，2023
朱津瑩《Crush》，石頭及金屬，2022
隨著量子力學、超弦理論以及宇宙探索不斷深入發展，超結構主義必將展現出新的藝術形式與內容。湯軍指出新的藝術史面向這個宇宙及各種不同時空，以及探索這些時空的藝術家。而日常時空藝術只是其中很小一部分。通過這次展覽，我看到了他所主張藝術形式的呈現。當然不同藝術家有不同的理解，但難能可貴的是，他們在一起產生了令人震撼的藝術力量。
With the continuous development of quantum mechanics, Superstring theory and universe exploration, super Structuralism will certainly show new artistic forms and contents. Tang Jun pointed out that the new art history faces this universe and various different time and space, as well as the artists who explore these time and space. And daily time and space art is only a small part of it. Through this exhibition, I saw the presentation of his advocated art form. Of course, different artists have different understandings, but what is commendable is that they have created a shocking artistic power together.
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