[2023-6-7 14:24:28]

超結構主義

線下群展征稿啟事

Notice of soliciting contributions of superstructuralism offline group exhibition

超 結 構 主  義

線下群展征稿啟事

策展人：湯軍、詹明昭

Curator: Jun Tang, Mingzhao Zhan

收稿郵箱：314462046@qq.com

Receiving email: 314462046@qq.com

截稿時間：7月10日

Deadline: July 10th

開幕時間：7月30日下午4點（預計）

Opening time: 4 pm on July 30th (estimated)

展覽地點：上苑藝術館展廳（北京懷柔區沙峪口村委會往東，茶良路沙峪口藝術廣場對面）

Exhibition location: Exhibition Hall of Shangyuan Art Museum (east of Shayukou Village Committee in Huairou District, Beijing, opposite Shayukou Art Square on Chaliang Road)

學術支持 Academic support

劉樹龍（吉林建筑大學藝術設計學院副教授）

Shulong Liu (Associate Professor at the School of Art and Design, Jilin University of Architecture)

施晶晶（ARTBANK創始人）

Jingjing Shi (Founder of ARTBANK)

王德才（天津科技大學藝術設計學院副教授，學術委員）

Decai Wang (Associate Professor and Academic Committee Member, School of Art and Design, Tianjin University of Science and Technology )

謝靜國（臺灣東吳大學中文系教授）

Jingguo Xie (Professor, Department of Chinese Language, Soochow University, Taiwan)

大衛·布魯貝克（美國藝術研究學者）

David Brubaker (American Art Research Scholar)

一、超結構主義來了 Superstructuralism is coming

馬斯克的星艦一飛沖天，人類迎來開發火星的新時代；量子科技也方興未艾，中科大在量子計算研究上取得量子霸權；人工智能、虛擬現實、元宇宙、數字孿生等將人類的生存體驗帶入新天地。

Musk’s starship soared into the sky, ushering in a new era of human development on Mars; Quantum technology is also on the rise, and China University of Science and Technology has gained quantum hegemony in quantum computing research; Artificial intelligence, virtual reality, meta universe, digital twins, etc. bring human survival experience into Xintiandi.

而這正是超結構主義的著眼之處，即超越日常時空結構，探索各種非日常時空（即他時空）。其實，人類很早就不滿足于生活于平庸的時空，而是不斷憧憬與探索著他時空。于是有了齊奧爾科夫斯基的火箭、阿波羅登月計劃、旅行者號探測器、哈勃太空望遠鏡、火星移民計劃。

This is the focus of Superstructuralism, that is, to transcend the daily spacetime structure and explore various non daily spacetime (namely other spacetime). In fact, humans have long been dissatisfied with living in mediocre time and space, but constantly yearning and exploring their own time and space. Then came the rockets of Ziolkovsky, Apollo moon landing program, the Voyager probe, the Hubble Space Telescope, and the Mars migration program.

超結構主義敏銳地感知并把握這一點，不斷超越日常時空，奔向量子世界、宇宙空間之黑洞、白洞、蟲洞，以及平行宇宙、六維空間、超弦之十維空間，還有虛擬現實空間、元宇宙、心理空間等。設想一下，如果上苑藝術館在月球或火星上設有創作基地，那么在那里駐留的藝術家們又會創造出怎樣不同于地球時空的作品呢。

The superstructuralism doctrine keenly perceives and grasps this point, constantly surpasses the daily spacetime, and rushes to the quantum world, the black hole, white hole, wormhole of the cosmic space, as well as the parallel universe, the six dimensional space, the ten dimensional space of the superstring, as well as the virtual reality space, the meta universe, mental space, etc. Imagine that if Shangyuan Art Museum had a creation base on the moon or Mars, how would the artists residing there create works different from the earth spacetime？

所以說，超結構主義不是某種與以往藝術史類似的所謂流派，而是藝術的新方向，是人類靈魂的真正出口。

Therefore, superstructuralism is not a so-called school similar to the past art history, but a new direction of art and the real export of human soul.

群展是為了啟動眾藝術家的超結構情結，促使他們的創作欲望向著他時空釋放。這是超結構主義第二次展覽。第一次展覽是去年的網絡群展，有五十位藝術家參與其中（如下圖）。

The group exhibition can start the Superstructuralism complex of artists, and promote their creative desire to release to other spacetime. This is the second exhibition of superstructure. And the first exhibition was last year’s online group exhibition, with 50 artists participating (as shown in the figure below).

【上苑展訊】超結構主義網絡群展/SuperstructuralismNetwork Exhibition

二、線下群展 Offline group exhibition

1、形式 Form

超結構主義以新時空觀為創作支點，統攝各種題材，包括架上的、裝置的、雕塑的、造型的、行為的、多媒體的、生物藝術的、虛擬現實的等等。此外，它還可以呈現為一種構思、一個理念、一份構圖、一片景象以及一次行動。不同藝術家對超時空結構的理解一定不同，必將呈現出百花齊放的視覺與思想盛宴。

Superstructure takes the new space-time view as the creative fulcrum, and governs all kinds of subjects, including shelf, installation, sculpture, modeling, behavior, multimedia, biological art, virtual reality, and so on. In addition, it can also be presented as a concept, an idea, a composition, a scene, and an action.Different artists have different understandings of the structure of hyperspace and will inevitably present a feast of visual and intellectual diversity.

將組織研討會，探討超結構主義的內涵及對他時空的藝術探索，以及從藝術到非藝術的可能性等。

A seminar will be organized to discuss the connotation of Superstructuralism and its artistic exploration of time and space, as well as the possibility of changing from art to non art.

2、時間安排 Schedule

征稿截止于7月10日。

The deadline for submission is July 10th.

7月11日至7月14日選擇參展作品，并通知藝術家。

Select the exhibited works from July 11th to July 14th and notify the artists.

7月15日至7月25日寄送作品。

Send the artwork from July 15th to July 25th.

7月30日下午4點開幕。展期10天。

It will open at 4 pm on July 30th. The extension period is 10 days.

3、具體事項 Specific matters

（1）展覽事項 Exhibition matters

1. 主辦方為上苑藝術館。

The organizer is Shangyuan Art Museum.

2. 展覽地點為上苑藝術館展廳。

The exhibition venue is the exhibition hall of Shangyuan Art Museum.

地址：上苑藝術館展廳（北京懷柔區沙峪口村委會往東，茶良路沙峪口藝術廣場對面）

Exhibition location: Exhibition Hall of Shangyuan Art Museum (east of Shayukou Village Committee in Huairou District, Beijing, opposite Shayukou Art Square on Chaliang Road)

3. 策展人：湯軍，詹明昭。

Curator: Jun Tang, Mingzhao Zhan.

4. 學術支持：劉樹龍（吉林建筑大學藝術設計學院副教授），施晶晶（ARTBANK創始人），王德才（天津科技大學藝術設計學院副教授，學術委員），謝靜國（臺灣東吳大學中文系教授），David brubaker（美國藝術研究學者）。

Academic support: Shulong Liu (Associate Professor at the School of Art and Design, Jilin University of Architecture), Jingjing Shi (Founder of ARTBANK), Decai Wang (Associate Professor and Academic Committee Member, School of Art and Design, Tianjin University of Science and Technology ), Jingguo Xie (Professor, Department of Chinese Language, Soochow University, Taiwan), David Brubaker (American Art Research Scholar).

5. 參展免費。但展覽期間發生的布展及開幕費用由參展者平攤，每個參展者不高于100元。

Exhibitions are free of charge. However, the exhibition arrangement and opening expenses incurred during the exhibition period shall be shared equally by the exhibitors.

6. 組織舉辦展覽開幕式和研討會。

Organize and hold exhibition opening ceremonies and seminars.

7. 入選的參展作品來回快遞費用由作者自理。主辦方負責收件和撤展方面的工作。

The author shall bear the cost of round-trip express delivery for the selected exhibition works. The organizer is responsible for receiving and withdrawing exhibits.

（2）征稿要求 Requirements

1. 投稿作品可以是繪畫、架上作品、裝置、雕塑、影像、詩歌、舞蹈、音樂等。

The submitted works can be paintings, easel works, installations, sculptures, images, poem, dance, music, etc.

2. 繪畫及架上作品尺寸原則上限定在200x200cm以內。

The size of paintings and easel works is generally limited to within 200x200cm.

3. 投稿時，需提供原創作品最多6件（6張圖片等）以供評選，原則上每位入選藝術家展出一至兩件作品。

When submitting, a maximum of 6 original works (6 images, etc.) must be provided for selection. In principle, each selected artist will exhibit one to two works.

4. 投稿作品的JPG圖片大小至少在3M左右。作品信息按順序標注：姓名，《作品名字》，材質，尺寸，創作年代。例如：張經，《藍鳥》，油畫，150x90cm，2021年。

The JPG image size of the submitted work should be at least around 3M. Label the work information in order: name, "Work Name", material, size, and creation year. For example: Zhang Jing, "Blue Bird", oil painting, 150x90cm, 2021.

5. 對于影像、詩歌、舞蹈、音樂等作品，請提供視頻、音頻或文字等資料。

For works such as videos, poetry, dance, music, etc., please provide materials such as videos, audio, or text.

6. 發送投稿者個人資料：藝術家簡介（50-100字），一張藝術家肖像照或生活照（3M左右）。

Send personal information of the contributor: artist profile (50-100 words), one portrait or life photo of the artist (approximately 3M).

7. 投稿文件中請寫明個人微信號、電話、郵箱、作品回寄詳細地址。

Please specify your personal WeChat account, phone number, email address, and detailed address for returning the work in the submission document.

8. 所有文件打成zip壓縮包后，發送到投稿郵箱：314462046@qq.com。

After all files are zipped and sent to the submission email: 314462046@qq.com.

9. 參展作品必須是藝術家自主創作，如有抄襲、盜用后果自負。

Exhibited works must be independently created by the artist, and any plagiarism or embezzlement shall be at one’s own risk.

10. 入選架上作品都可不裝外框或簡裝即可，拒絕接受帶玻璃框的作品。

Selected works on the shelf can be left without frames or simple decoration, and works with glass frames are rejected.

11. 作品寄之前需有完善的外包裝。寄來時破碎的作品將被拒絕。請選擇京東快遞或自行運來。

Before sending the work, it needs to have a complete outer packaging. Works that are broken when sent will be rejected. Please choose JD Express or self delivery.

12. 主辦方對參展作品有展覽、研究、攝影、錄像、宣傳之權利。不能接受的請勿投稿。

The organizer has the right to exhibit, research, photograph, video, and promote the exhibited works. Do not submit articles that cannot be accepted.

13. 請按照以上要求進行投稿，如不合要求主辦方可能拒絕受理。

Please submit according to the above requirements. If it does not meet the requirements, the organizer may refuse to accept it.

（3）其它事項 Other matters

作品入選后，策展人和主辦方會另行組建參展藝術家微信工作群，通知參展藝術家關于作品快遞時間、地址以及快遞作品時的規范要求等。

After the works is selected, the curator and organizer will form a separate WeChat working group for participating artists to notify them of the delivery time, address, and regulatory requirements for the delivery of the works.

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