[2014-3-6 11:31:37]

董潔行為藝術展2014年4月15日－30日在上苑藝術館進行

前言

Dong Jie sees the lot of women in China as requiring careful and traditionally misogynist-oriented daily performances of being-a-woman in everyday life. Her artwork usually embody or typify women’s roles in society.

——康舒雅（美籍旅華詩人）

藝術家是思索自身存在的一類人，藝術作品是我們思索結果的表達，展覽就是這種表達面向社會的呈現。

這次的展覽呈現我對自身女性身份存在的長期思索的一次自我總結與完善。旨在提出我個人的觀察與思慮結果能引起社會各界對女性健康、生存定義、思想情感等各方面更為廣泛也更深層次地關注和思考。

這些思考不是“逞強”的女權主義——報復式的附加男性負擔以示抗爭；也不是“示弱”的女性主義——以“本質主義的作品” 展示普遍女性生物性的觀念；而是展示中國普遍女性現狀；是對此提出的反思與發問。

從女性身體——我自己的身體作為原點出發。因為女性的身體并不像男性那樣為自己提供了一個可轉述的第二自我(aler ego)。相反由于生理的原因，絕大多數時候，對于絕大多數女性來講，身體給自己造成了種種限定和苦痛——身體是負擔、是累贅、是障礙、是矛盾的，它會給她帶來種種困擾，使她終其一生都在努力嘗試著與它共處；也是統一的，它與她都同時是另一個相對立的群體——男性的觀察物，男性通過它認知她，通過對她的認知而對它提出要求，她也在與他的相處中不時地改造著它。基于此她與它之間有著很多很多層面上的情感故事。從而有了“Verounique”——一個代表女性形象的符號，一個被男性觀看的客觀審美對象。在這被觀看的過程中，她的情感、她的意識、她的思想被統統地抹去。她從中消失，轉而成其物，以她的身體的形態呈現的物，也就是說只剩它——她的身體。

《無印良品》通過對內衣褲在女人體上留下的印痕做細致入微的、科學切片式的、客觀的、事實性的記錄與展示，體現了女性與其身體的其中一組矛盾：她為它加上束縛，對它造成傷害，他自己也不能也吃得到什么，而這是為什么？出于怎樣的目的？仔細地探究將發現這里面文化的、社會的、意識形態的、世俗的......多重層面上的因素。

作品《Verounique》表現了這一點：我將身體擺弄成種種具有誘惑性的造型；拍攝下來；又又加工成艷麗、誘人、色情的顏色；再翻拍成圖像；并刻意模糊制造翻拍與原畫得得差異性，以體現她只是一件令人賞心悅目的觀看品——它而存在。

《閨風》則是體現她與它之間種種情感故事的其中一種——自戀。她處于私密空間時，對它的自我欣賞、自我戀慕，是她與它單獨共處時流露出的情感，因而這一系列所有的圖片是在這樣的前提環境下以這樣的情感源泉完成，又在展示時特意還原這樣的環境以使之主題更為突出。

在展出過程中同時進行與觀眾互動行為藝術，并在閉幕時有“舞踏”——日本現代舞——使展覽的形式更豐富內容更多樣。

在當前的中國男權社會，一旦談到女性的話題，就會遭到男性仿佛是“正邪不兩立”地抵制，而女權的問題更是會被視作男權的敵對勢力，因而使得女性為自己發言的機會亦會被剝奪。而這次的作品既不是討論女性的也不是關于女權的，只是借以藝術的方式讓觀眾了解到女性與自身身體的關系，說出這話題，讓觀眾了解到一個既非女性也非女權、不在男權所留意的范疇、亦會時而被女性所忽略的、女性世界的其中一個方面。愿望此次讓觀眾對這一群體有更多的關注、了解。

                                           董潔

                                         2014年于西湖花園

Preface

Dong Jie sees the lot of women in China as requiring careful and traditionally misogynist-oriented daily performances of being-a-woman in everyday life. Her artwork usually embody or typify women’s roles in society.

__Kang Shuya(American poetry)

The Artists are the people who thinking about object being, and the art work is to express the result of our thinking. And the exhibition presents the expression to the society. This exhibition will express my thought on my existing as a female in a long term, and I want to mention my inspection result to people in all fields and they pay attention to female health, existing meaning, thoughts and emotion.

These thoughts are not feminism, neither struggling as revenge to increase male’s burden nor in the idea of naturalism to show female biological elements. I want to show Chinese Women’s common situation, doubting and thinking on it.

As a female, I set out from my body for it doesn’t offer alter ego to paraphrase himself, on the opposite, body is burden, barren, additional thing, and inconsistent, and most of the female’s body limits herself and hurts herself painfully because of biological reasons. The body, it will bring her kinds of disturbing and confusions to make herself always trying to get along with it all her life. On the other side, both of them-the body and female herself- are the objects inspected by the male. A male knows her through it and requests her through knowing it, meanwhile, she is changing it continuously during living with him. There are a lot of emotional stories based on the relationships between her and her body, then Veronique, a symbol standing for female is born, an aesthetic object inspected by male. In the duration of been inspected, her emotion, her consciousness and her thoughts are erased, she disappeared and the body is appearing , that means nothing left but her body, the object.

Shapeless Goods expressed a group of contradictions between female and her body through factual detailed objective recording and exhibiting the pressing shapes of underwear. She limits it and hurts it, but she cannot get anything by doing that, what’s the reason why she does so? I will look for the answer in many fields: society, culture, ideology, common sense and so on.

Veronique is to show this point: I photograph my body in epigamic gestures and color it bright gorgeous and pornographic, then re-photograph it and enlarge the difference between original photographs and the re-photographed image to identify it as a visual object to pleasuring people.

Boudoir Style is to express narcissism which also is one story between her and her body. In the private space, she appreciates her body and loves it only if she gets along with it privately. This series of photographs finished in the emotion occurring in a particular situation, so I try to restore such a situation while exhibiting it.

In the exhibition I will interact with the audiences to join in performance together. And there will be a Butob show -Japanese modern dance- to make the exhibition more active and diversified.

In the patriarchy society, the feminism topic will be strongly resisted by the male and considered as the hostile power. As a result, the female will be deprived the right of speaking for themselves. In this exhibition, my art works are neither talking about female nor feminine right, but making the audiences to know the relationship between female and her body by art. Talking about this topic to make the female world which beyond patriarchy and sometimes ignored by female, neither female nor feminism, come to meet the audiences.

Hope this exhibition will make the audience know more about this group of people.

Dong Jie

Written in Westlake Garden , 2014 

董潔  簡歷

2012年畢業于四川音樂學院成都美術學院，獲碩士學位，專業：油畫

2007年畢業于四川音樂學院成都美術學院，獲學士學位，專業：油畫

個人展覽：

2007年《光陰·光影》觀念攝影個展 成都

2006年《迷失詞語》觀念攝影個展 成都

參加的部分展覽：

2013年5月《異童話》行為、《關于春天的十七個瞬間》實驗影像 《藍頂藝術節》成都

2012年10月《被溫暖的》行為《第二屆“up-on”國際現場藝術節》成都

8月《斷腸字點點》人形裝置《中信·“七夕”藝術鑒賞會》成都

《道是無晴還有晴》行為《上苑藝術館2012年駐館項目結項表演》北京

7月《“賣殘牡丹”董潔女性行為藝術工作坊》行為《上苑藝術館2012年駐館項目實施作品》北京

2012年5月《婚紗再美也只是一件壓箱底的羽衣》圖片《2012成都“春沙”》成都

2012年4月《胡不歸》行為《第六屆“谷雨行動”城市行為聯展》西安

2011年11月《就當是唱唱反調》圖片 《“跨界·顛覆”藝術家與設計師創意邀請展》成都 西村藝術空間

2011年9月《圣女》裝置 《“自助共盒體”群展》 重慶 “器”空間

    3月 《慶典——自由的1/6注解》現場 成都 千高原畫廊

2010年12月《如夢令系列之五》觀念攝影《四川音樂學院成都美術學院十年校慶展》成都

6月《雕刻時光》行為錄像《破格——成都春季沙龍展》 成都 廊橋畫廊

3月 《被告知的》行為《第三屆“前提”行為藝術節》 廣州

2009年9月 《眼睜睜，口無語2》 行為 《第十屆“open”國際現場藝術節》 北京

8月 《斷發》行為 《首屆798藝術節》 北京

4月 《落花流水》行為  《谷雨行動》 西安

2008年10月《祭奠》行為《08’第二屆Vital重慶國際現場藝術節》重慶

                 《汶川紀念碑》行為 《08’首屆UP_ON國際現場行為藝術節》成都

       6月 《眼睜睜,口無語》行為 《毀滅前的建造》鄭州

2004年《生旦凈末丑》裝置 第二屆《“農民街”現當代藝術展》成都

收藏：

2011年 《就當是唱唱反調》圖片 成都西村藝術空間

2010年  《雕刻時光》行為錄像 成都廊橋畫廊

2008年  《紀念碑》 行為圖片 澳門藝術博物館

        《廢墟上的冥想》 行為圖片 澳門藝術博物館

2007年  《套色版畫習作一組兩張》 套色版畫 四川音樂學院成都美術學院油畫系

2005年  《瞳》 攝影 《“存在狀態”現當代藝術圖片展》主辦方溫江文化藝術園區收藏

畫廊展覽：

2011年8月《我想你時如獨自口口的悲傷》圖片互動裝置 《“仲夏十夜”群展》 成都 成都文藝之家

2010年5月《愁春懶起妝圖》裝置 和《如夢令系列》觀念攝影 《“秘密花園”女性藝術群展》上海 菲籽畫廊

職業活動：

2013年11月《法國藝術家Awena“天之山”行為—大地景觀藝術工作坊》成都 藍頂美術館

9月《“舞踏樹”川美裕子亞洲的身體舞踏工作坊》重慶 嶺空間

             5月《德國藝術家Brios行為藝術工作坊》西安 歐亞藝術學院

2012年3月《日本藝術家Shimoda行為藝術工作坊》成都 西村藝術空間

2011年9月《“迷失詞語”董潔行為藝術作品視頻交流沙龍》沙龍 成都 大象酒吧

       5月《"迷失詞語"董潔行為藝術作品解讀》講座/沙龍 西寧 衍書舍

2008年4月至2008年5月 參與《驟然的變異》三峽庫區自然、人文生態的藝術考察創作計劃

職業或學術會議：

2013年“侃藝術”2013成都單年展頒獎晚會獲“水”獎

2010年 第二屆中國收藏家年會

2009年 第一屆成都行為藝術年會

Resume

Dongjie

In 2012,Graduated from Sichuan conservatory of music in Chengdu academy of fine arts, received a master’s degree, professional: oil painting

In 2007,Graduated from Sichuan conservatory of music in Chengdu academy of fine arts, received a bachelor’s degree, professional: oil painting

Solo exhibition:

In 2007, “Light and Shadow", conceptual photography exhibitions ,Chengdu

In 2006, “Words in Lost" conceptual photography exhibitions, Chengdu

Some exhibitions:

In May 2013, "The Strange Fairy Tale" performance, "Seventeen Moment of Spring" Experimental video , “Art Festival of Blue Top Art Museum" ,Chengdu

In October 2012,"Be Warmed", “The Second ‘up – on’ International Live Art Festival”, Chengdu

In August 2012, “Heartbroken Word Bit”, “‘The Chinese Valentine’s Day’ works of Art Kam by China Citic Bank”, Chengdu

In August 2012, "The Tao is no Clear But Sunny" ,live art ,on “In The Shangyuan Art Museum Post-Hall Project Performance in 2012”, Beijing

In July 2012, " ‘sell the residual peony’ Dongjie Female Live Art workshop ",Live art ,"The Pavilion Project Implementation Work of Shangyuan Art museum in 2012” , Beijing

In May 2012, “How Beautiful Wedding Dress Just is A Plumage Under The box",Picture,"2012 ‘spring salon’ in Chengdu”, Chengdu

In April 2012,"Why Not Return”, Performance, “ The Sixth ‘Grain Rain action’ City Performance Associated”  Xi ’An

In November 2011, "Just As Sing Different Tune" Picture , “ ‘Crossover·Subversion’ Artists And Designers Invitational Exhibition”, “West Village Art Space”, Chengdu

In September 2011, "The Joan", Installation,"‘Self-help’ Cointegrate Group Exhibition”，“Qi-Space”, Chongqing

In March 2011 "celebration - 1/6 of the free annotation", “ The Thousand Plateau Gallery”, Chengdu

In December 2010, "RuMengLing Ⅴ" Conceptual Photography "，“Sichuan Conservatory Of Music 10 Anniversary of Chengdu Academy Of Fine Arts Exhibition", Chengdu

In June 2010,"Carving Time"，Performance video ，"Break Rule - Chengdu Spring salon Exhibition" , “Re-C Gallery”, Chengdu

In March 2010, "Be Told", Performance ,"The Third ‘Premise ’ Performance Art Festival" , Guangzhou

In September 2009, “Dumbfounded Ⅱ",Performance, “ The Tenth ‘Open’ International Live Art Festival ", Beijing

In August 2009, “Hair Cut”, “The First 798 Art Festival”, Beijing

In April 2009, “Flowers On The Waves”, Performance,“ Gain Rain action ”, Xi’ An

In October 2008 , “Memorial Ceremony”, Performance, “ The Second Vital International Live Art Festival 2008”, Chongqing

In October 2008 , “Wenchuan Monument”, Performance, “The First UP_ON International Performance Art Festival 2008”, Chengdu

In June 2008, “Dumbfounded”, Performance, “ Construction before Destruction”, Zhengzhou

2004, “Sheng, Dan, Jing and Chou”, Installation, “The Second Farmer Street Contemporary Art Exhibition”, Chengdu

Collection:

2011,"Just as Sing Different", Pictures, “West Village Art Space”, Chengdu

2010, "Carving Time",Performance video, “Re-C Gallery”,  Chengdu

2008, "The Monument"、"On The Ruins of Meditation"， Performance pictures, “The Macao Museum of Art”,Macao

2007, “ The Matching Color Print Paper is a Set of Two Pieces”, “Tinted Print Oil Painting”, “ Sichuan Consevatry of  Music”, Chengdu

2005,"Pupil" ,Photography， The organizers of "‘Existence State’ Modern and Contemporary Art Picture Exhibition"——" WenJiang Culture Art Garden Collections”,Chengdu

Gallery:

In August 2011, "Such as 口口 Alone Sad When I miss you" ,Interaction installation," ‘Ten Midsummer Night’ Group Exhibitions ", “Chengdu Family of Literature and Art”,Chengdu

In May 2010, “Too Lazy to Put on Mekeup”,Conceptual Photography, “Secret Garden-Female Group Exhibition” , “FEIZI Gallery”,Shanghai

Occupational activities:

In November 2013, “The French Artist Awena ‘Mountain of Sky’ Performance And Earth Landscape Art Workshop", “ Blue Top Art Museum”,Chengdu

In September 2013，" ‘BUTO Tree’ Yoko Asian Body BUTO workshop ", “Ling- Space”, Chongqing

In May 2013， “The German Artist Brios Live Art Workshop ", “Xi ’An Eurasia Fine Art College”, Xi’An

In March 2012, “ The Japanese Artist Shimoda Performance Art Workshop", “West Village Art Space”,Chengdu

In September 2011, “ The Words in Lost", Dongjie Performance video Communication Salon "，Salon， “Elephant Bar”，Chengdu

In May 2011， “The Words in Lost",Dongjie Performance Interpretation Lecture/Salon”, “Yan-Book Shop”, Xining

In April to May 2008, “ ‘Sudden Changes’ in The Three Gorges Reservoir Area of Natural and Cultural Ecological Art Creation Plan”

Professional or academic meeting:

2013, “2013 Single Exhibition in Chengdu” won Awards "water"

2010,“The Second Chinese Collectors convention”

2009，“The First Chengdu Performance Art in 2009 Annual Meeting”

查看5740次