|
Shangyuan Art Museum 2018 International Residency
[2018-10-27 18:59:02]
【現場】上苑藝術館2018“國際創作計劃”年展
Shangyuan Art Museum 2018 International Residency Program Annual Exhibition
策展人：李念奴，藝術家代表：Goran STAKIC（塞爾維亞）、 雪芹子發言，薛暢（翻譯）
參展人員：Alexander Höglund（行為、瑞典）、Cynthia Fusillo（裝置西班牙）、Chris Hel（美國）、Carlos Carvalho（澳大利亞）、常鑫、Cata.González（智利）、底傘傘、Emilie Palmelund（行為、丹麥）、Goran STAKIC（塞爾維亞）、賀晉 、Hadi Lotfi(伊朗) 、Jake Blaschka (澳大利亞）、Joyce Rivas(哥倫比亞)、焦偉娜、Josh Gibbs（英國）、劉柏林、琳子、劉和森、劉一、劉迎春、李念奴、梁哲 、聶以為、宓赫言、Mo Sirra（荷蘭A7室內設計）、瀨尾登美惠（日本）、Polly Williams（澳大利亞）、Promiti Hossain（孟加拉）、任鶴、Rember Yahuarcani （秘魯）、Seirin Hyung （韓國）、滕海英、譚勤、Viviana Druga（行為、德國）、王劉健、毋蓬勃、薛暢、楊先平、 雪芹子、詹明昭、趙涓涓、 張智罡
Participating Artists:
Alexander Höglund (Performance, Sweden), Cata González (Installation, Chile), Cynthia Fusillo (Installation, Spain), Chris Hel (US), Emilie Palmelund (Performance, Denmark), Hadi Lotfi (Sculpture, Egypt), Jake Blaschka (Installation, Australia), Josh Gibbs (UK), Joyce Rivas (Colombia), Polly Williams (Australia), Promiti Hossain (Bangladesh), Rember Yahuarcani (Peru), Mo Sirra (A7 Interior Design, Netherlands), Chang Xin, Di Sanan, Gu Hongqiang, He Jin, Jiao Weina, Mi Heyan, Tomie Seo (Japan), Li Niannu, Liang Zhe, Liu Bolin, Lin Zi, Liu Hesen, Liu Yi, Nie Yiwei, Ren He, Tan Qin, Teng Haiying, Wang Liujian, Wu Pengbo, Xue Chang, Xue Qinzi, Yang Xianping, Zhan Mingzhao, Seirin Hyung (Korea), Viviana Druga (Performance, Germany), Zhang Zhigang and etc.
前言
藝術烏托邦從不曾存在過，但藝術家們從來沒放棄尋找的步履。他們找到一些疑似烏托邦的地方，燕山腳下的上苑藝術館便是其中之一。
2018年4月至10月，上苑藝術館迎來了61名來自38個國家的藝術家。他們在這里進行了為期7個多月的交流與創作，舉行了21場藝術活動，包括互動式行為藝術、群展、個展等。
其中有來自德國的藝術家Viviana Druga行為藝術“盲洗機”，她說，內在和諧是管理混亂外部世界的唯一途徑。她提醒中國對污染的關注。
五月由Alexander Höglund（瑞典）和Emilie Palmelund（丹麥）組織的“筑巢之影”行為藝術，調動了館內館外諸多社會人，獲得了廣泛的參與與深入的互動。成為今年一場具有轟動效應的互動性藝術事件。他們在一處被強拆的廢墟中，“家”已不復存在，但藝術家用儀式、用想像引領著人們進行追思，最后“家”似乎得以重生。詳情：http://www.sh-yinshua.com/chinese/article.asp?id=3766
六月我們舉行了一場具有深遠意義的活動，三十年前女攝影師騎行6600里的攝影展。將她們從成都到北京，騎自行車6600里，背著簡陋而沉重的攝影器材拍攝她們拍到的老照片翻出來，重現這段歷史。詳情：http://www.sh-yinshua.com/chinese/article.asp?id=3775
七月之后，幾乎每周有一到兩場的展覽活動，讓人目不暇接。大家可以在上苑的網站和和移動互聯網上看到更多詳情http://www.sh-yinshua.com
本次上苑藝術館2018年“國際創作計劃”年展，是我們本期的總結展。幾十位有強烈個性的藝術家，將選擇他們在館期間創作的代表作進行展示。
沒有一種美學標準能夠將它們悉數套入。對于一群離經叛道者，唯一可以肯定的是，一筆一畫，一招一式，均出自他們的靈魂。大多數藝術家清貧，但他們精神上的富足、自由都反映在他們的作品中。他們沉浸在自己的藝術世界，并不罔顧現實，他們的作品在追求更高藝術境界的同時，作為時代的代言人和記錄者，他們奉獻的不僅僅是美與自由，更是作為藝術家的良心。
——唐果
Preface
Art Utopia never existed, yet artists never stopped looking for it. They have found some that might be close enough, one of which is located at the foot of Yanshan Mountains as the Shangyuan Art Museum.
Between April and October, Shangyuan have accommodated 61 artists from 38 different countries. They spend 7 months here to work and exchange ideas. 21 exhibitions were held, including performance art, group exhibition, solo exhibition, and etc.
One of the exhibitions was German artist Viviana Druga’sBlind Washing Machine,she says that the only way to manage the chaotic external world is through internal harmony. She wants to draw people’s attention to the pollution in China.
In May, Alexander Höglund and Emilie Palmelund organized a performance calledThe Shadow of Nest Building.They have mobilized many participants within and outside of the museum. Their performance has achieved great participation and interaction It has become a influential art event this year. They were inside a ruined site of a former building,Homewas already gone, but the artists, by using rituals, led the audience with imagination to recreateHome.
In June, we had an exhibition with profound significance, photos from a 3300 kilometers bicycle trip three decades ago. The members of the trip were all female photographers. From Chengdu to Beijing, they cycled 3300 kilometers, carrying simple, crude, and heavy photograph equipment. This time, we take these photos from the dusty archive to rediscover this great event.
In July, almost every week there was an exhibition, which made the audience’s eyes fully occupied. You can find out more information concerning these exhibitions in our website.
This 2018 International Residency Program Annual Exhibition is the summary of this year’s residency program. Dozens of strong-minded artists will present their works they made during the residency.
There is no common aesthetic standard that can judge them. As a group of rebels, the only thing that we know for sure is that each stroke of their brush, each movement of their body is originated from their soul. Most of artists, throughout their life, are poor, but they feel content from their spiritual life, and their freedom of mind is represented in their works. They immerse themselves in their artistic world, regardless of the world surrounding them. Their works are not only to explore higher artistic realm, but also act as the spokesperson and chronicler of their time. What they have contributed are only art and freedom, but their consciousness as artists.
By Tang Guo
展覽城市：北京
展覽時間：2018-10-27~2019-03-31
開幕時間：2018年10月27日15:30
展覽地點：北京市懷柔區橋梓鎮沙峪口 上苑藝術館
City:Beijing
Curators:Li Niannu, Tang Guo, Nie Yiwei
Time:2018.10.27. to 2019.3.31.
Opening:15:30, October 27th, 2018
Venue:Exhibition Hall No.1 and No. 2, Shangyuan Art Museum
Address:Shayukou Village, Qiaozi County, Huairou District, Beijing.
revealed 3258 times
|
