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【Exhibition】2018 Residency Program Annual Exhibiti

[2018-10-23 7:39:56]

上苑藝術館2018“國際創作計劃”年展

Shangyuan Art Museum 2018 International Residency Program Annual Exhibition

市:北京
人:李念奴、唐果、聶以為
參展人員:Alexander Höglund(行為/瑞典)、Cata González (裝置/智利)、Cynthia Fusillo(裝置/西班牙)、Chris 柯瑞丁 Hel(美國)、Emilie Palmelund(行為/丹麥)、Hadi Lotfi(雕塑/埃及)、Jake Blaschka (裝置/澳大利亞)、Josh Gibbs (英國)、Joyce Rivas (哥倫比亞)、Polly Williams(澳大利亞)、Promiti Hossain(孟加拉)、Rember Yahuarcani (秘魯)、Mo Sirra (A7室內設計/荷蘭)、常鑫、底傘傘、古洪強、賀晉、焦偉娜、宓赫言、瀨尾登美惠(日本)、李念奴、梁哲、劉柏林、琳子、劉和森、劉一、劉迎春、聶以為、任鶴、譚勤、滕海瑛、王劉健、毋蓬勃、薛暢、雪芹子、楊先平、詹明昭、Seirin Hyung (韓國)、Viviana Druga(行為/德國)、張志剛 等

展覽時間:2018-10-27~2019-03-31
開幕時間:2018年10月27日 15:30
展覽地點:上苑藝術館一、二樓展廳 
地  址:北京市懷柔區橋梓鎮沙峪口 


City: Beijing

Curators: Li Niannu, Tang Guo, Nie Yiwei

Participating Artists: 

Alexander Höglund (Performance, Sweden), Cata González (Installation, Chile), Cynthia Fusillo (Installation, Spain), Chris Hel (US), Emilie Palmelund (Performance, Denmark), Hadi Lotfi (Sculpture, Egypt), Jake Blaschka (Installation, Australia), Josh Gibbs (UK), Joyce Rivas (Colombia), Polly Williams (Australia), Promiti Hossain (Bangladesh), Rember Yahuarcani (Peru), Mo Sirra (A7 Interior Design, Netherlands), Chang Xin, Di Sanan, Gu Hongqiang, He Jin, Jiao Weina, Mi Heyan, Tomie Seo (Japan), Li Niannu, Liang Zhe, Liu Bolin, Lin Zi, Liu Hesen, Liu Yi, Nie Yiwei, Ren He, Tan Qin, Teng Haiying, Wang Liujian, Wu Pengbo, Xue Chang, Xue Qinzi, Yang Xianping, Zhan Mingzhao, Seirin Hyung (Korea), Viviana Druga (Performance, Germany), Zhang Zhigang and etc.

Time: 2018.10.27. to 2019.3.31.

Opening: 15:30, October 27th, 2018

Venue: Exhibition Hall No.1 and No. 2, Shangyuan Art Museum

Address: Shayukou Village, Qiaozi County, Huairou District, Beijing.


前言


藝術烏托邦從不曾存在過,但藝術家們從來沒放棄尋找的步履。他們找到一些疑似烏托邦的地方,燕山腳下的上苑藝術館便是其中之一。


2018年4月至10月,上苑藝術館迎來了61名來自38個國家的藝術家。他們在這里進行了7個多月的交流與創作,并舉行了21場藝術活動,包括互動式行為藝術、群展、個展等。


其中有來自德國的藝術家Viviana Druga行為藝術“盲洗機”,她說,內在和諧是管理混亂外部世界的唯一途徑。她提醒中國對污染的關注。


五月由Alexander Höglund(瑞典)和 Emilie Palmelund(丹麥)組織的“筑巢之影”行為藝術,調動了館內館外諸多社會人,獲得了廣泛的參與與深入的互動。成為今年一場具有轟動效應的互動性藝術事件。他們在一處被強拆的廢墟中,“家”已不復存在,但藝術家用儀式、用想像引領著人們進行追思,最后“家”似乎得以重生。


六月我們舉行了一場具有深遠意義的活動,三十年前女攝影師騎行6600里的攝影展。將她們從成都到北京,騎自行車6600里,背著簡陋而沉重的攝影器材拍攝她們拍到的老照片翻出來,重現這段歷史。


七月之后,幾乎每周有一到兩場的展覽活動,讓人目不暇接。大家可以在上苑的網站和和移動互聯網上看到更多詳情。


本次上苑藝術館2018年“國際創作計劃”年展,是我們本期的總結展。幾十位有強烈個性的藝術家,將選擇他們在館期間創作的代表作進行展示。


沒有一種美學標準能夠將它們悉數套入。對于一群離經叛道者,唯一可以肯定的是,一筆一畫,一招一式,均出自他們的靈魂。大多數藝術家清貧,但他們精神上的富足、自由都反映在他們的作品中。他們沉浸在自己的藝術世界,并不罔顧現實,他們的作品在追求更高藝術境界的同時,作為時代的代言人和記錄者,他們奉獻的不僅僅是美與自由,更是作為藝術家的良心。


——唐果


Preface


Art Utopia never existed, yet artists never stopped looking for it. They have found some that might be close enough, one of which is located at the foot of Yanshan Mountains as the Shangyuan Art Museum.


Between April and October, Shangyuan have accommodated 61 artists from 38 different countries. They spend 7 months here to work and exchange ideas. 21 exhibitions were held, including performance art, group exhibition, solo exhibition, and etc.


One of the exhibitions was German artist Viviana Druga’s Blind Washing Machine, she says that the only way to manage the chaotic external world is through internal harmony. She wants to draw people’s attention to the pollution in China.


In May, Alexander Höglund and Emilie Palmelund organized a performance called The Shadow of Nest Building. They have mobilized many participants within and outside of the museum. Their performance has achieved great participation and interaction It has become a influential art event this year. They were inside a ruined site of a former building, Home was already gone, but the artists, by using rituals, led the audience with imagination to recreate Home.


In June, we had an exhibition with profound significance, photos from a 3300 kilometers bicycle trip three decades ago. The members of the trip were all female photographers. From Chengdu to Beijing, they cycled 3300 kilometers, carrying simple, crude, and heavy photograph equipment. This time, we take these photos from the dusty archive to rediscover this great event.


In July, almost every week there was an exhibition, which made the audience’s eyes fully occupied. You can find out more information concerning these exhibitions in our website.


This 2018 International Residency Program Annual Exhibition is the summary of this year’s residency program. Dozens of strong-minded artists will present their works they made during the residency.


There is no common aesthetic standard that can judge them. As a group of rebels, the only thing that we know for sure is that each stroke of their brush, each movement of their body is originated from their soul. Most of artists, throughout their life, are poor, but they feel content from their spiritual life, and their freedom of mind is represented in their works. They immerse themselves in their artistic world, regardless of the world surrounding them. Their works are not only to explore higher artistic realm, but also act as the spokesperson and chronicler of their time. What they have contributed are only art and freedom, but their consciousness as artists.


By Tang Guo

參展作品選登

Selected Works from the Exhibition

《無題》,服裝 ,Carlos Carvalho, 巴西,2018 

Untitled, Cloth, Carlos Carvalho, Brazil, 2018


《無題》,觀念攝影,Cata González,智利,2018

Untitled, Concept Photograph, Cata González, Chile, 2018


《無題》,觀念攝影,Cata González,智利,2018

Untitled, Concept Photograph, Cata González, Chile, 2018


《曛1》120×90cm 布面油畫 常鑫 2018年

Xun 1, Oil on Canvas, 120x90cm, Chang Xin, 2018


《曛3》60×80cm 布面油畫 常鑫 2018年

Xun 3, 60x80cm, Oil on Canvas, Chang Xin, 2018


《風景》 油畫 25x20cm Chris 柯瑞丁 Helser(美國)2018

Landscape, Oil, 25x20cm, Chris Helser (US), 2018


 《風景》油畫 25x20cm Chris 柯瑞丁 Helser(美國)2018

Landscape, Oil, 25x20cm, Chris Helser (US), 2018


《母性1》,裝置,Cynthia Fusillo,美國, 2018

Maternity 1, Installation, Cynthia Fusillo (US), 2018


《母性2》,裝置,Cynthia Fusillo,美國,2018

Maternity 2, Installation, Cynthia Fusillo (US), 2018


《秋-6》200x150cm 底傘傘 2017

Autumn 6, 200x150cm, Di Sanan, 2017


《生命樹》 裝置 古洪強 2018

Life Three, Installation, Gu Hongqiang, 2018


雕塑 Hadi Lotfi 埃及 2018

Sculpture, Hadi Lotfi, Egypt, 2018


雕塑 Hadi Lotfi 埃及 2018

Sculpture, Hadi Lotfi, Egypt, 2018


《相愛的戀人》油畫 90x120cm 賀晉 2018

Love Birds, Oil, 90x120cm, He Jin, 2018


《我和貓》油畫 60x90cm 賀晉 2018

Me and My Cat, Oil, 60x90cm, He Jin, 2018


《自畫像(上苑)》油畫 100x150cm Jack Blaschka Australia  2018

Self-portrait (Shangyuan) Paint on canvas


《無題(和諧研究5)》紙上 32.5x43cm Jack Blaschka Australia 2018

Untitled (HexieStudy5) Paint on paper


《小鎮》油畫 48x53cm 焦偉娜 2018 

Small Town, Oil, 48x53cm, Jiao Weina, 2018


《港岸》油畫 50x60cm 焦偉娜 2018 

Harbor, Oil, 50x60cm, Jiao Weina, 2018


Beijing Darkhouses (Hutong Arrangement), sculptural installation, ceramic tiles, cement, mixed media, 150x250x70cm, Josh Gibbs (UK), 2017

《北京暗房》(胡同搭配)雕塑裝置 150x250x70cm Josh Gibbs 英國 2017


Beijing Darkhouses (Feijiacun-Hutong Arrangement), tiles, cement, mixed media, variable- adjustable measurements, Josh Gibbs (UK), 2018

《北京暗房》(斐家村胡同搭配)雕塑裝置 大小可變 Josh Gibbs 英國 2018


《動物》 紙本 鋼筆畫 42x30cm Joyce Rivas  哥倫比亞 2018

Animal, Ink Pen on Paper, 42x30cm, Joyce Rivas, Colombia, 2018


《動物》 紙本 鋼筆畫 42x30cm Joyce Rivas  哥倫比亞 2018

Animal, Ink Pen on Paper, 42x30cm, Joyce Rivas, Colombia, 2018


瀨尾登美惠(裝置 日本)60x65cm 風扇 卡紙 2018

Installation, Tomie Seo, Japan, 60x65cm, 2018


《曾有江山慰壯懷》137x70cm 紙本水墨 李念奴 2018

There used to be a landscape to consolate hero’s heart, Ink on Paper, 137x70cm, Li Niannu, 2018


《中心》布面油畫 100x80cm 梁哲 2018年

Centre, Oil, 100x80cm, Liang Zhe, 2018


《山》布面油畫 100x80cm 梁哲 2018年

Mountain, Oil, 100x80cm, Liang Zhe, 2018


《萬物生》0.38彩色中性針管筆 37.8x52cm 琳子

Bloom, Color Rollerball, 37.8x52cm, Lin Zi


《老屋》蔡倫原漿手工宣紙 0.1針管筆 26x18.5cm 琳子

Old House, Rollerball on Xuan Paper, 26x18.5cm, Lin Zi


《真相系列-9》油畫 110X150cm 劉柏林 2018

Truth Series - 9, Oil, 100x150cm, Liu Bolin, 2018


《我們要去向哪里02》裝置 尺寸可變 劉柏林 2018

Where are we going? 02, Installation, Size Changable, Liu Bolin, 2018


《編織系列新山水 》綜合材料 50x60cm 劉和森 2018

Textile Series New Landscape, Mix Material, 50x60cm, Liu Heshen, 2018


《編織圖像系列新青年 》綜合材料 60x80cm 劉和森 2016

Textile Series New Youth, Mix Material, 60x80cm, Liu Hesen, 2016


《找不到我自己》90.2x120cm 綜合材料 劉一 2017

Cannot find myself, 90.2x120cm, Mix Material, Liu Yi, 2017


《沉默的注視》70x80cm 綜合材料 劉一 2017

Silent Gaze, 70x80cm, Mix Material, Liu Yi, 2017


《時間與空間1》玻璃、銀、釉料等 120x30cm 劉迎春 2018

Time and Space 1, Glass, Silver, and Glaze, 120x30cm, Liu Yingchun, 2018


《時間與空間2》玻璃、銀、釉料等 120x30cm 劉迎春 2018

Time and Space 2, Glass, Silver, and Glaze, 120x30cm, Liu Yingchun, 2018


《是什么讓我們如此艱難的呼吸》35x50cm 布面油畫 宓赫言 2018

What makes us breathe this hard, 35x50cm, Oil, Mi Heyan, 2018


《當你體驗平庸之惡》100x80cm 布面油畫 宓赫言 2018

When you experience the banality of evil, 100x80cm, Oil, Mi Heyan, 2018


《等量》40x60cm 布面綜合 聶以為 2018

Equal, 40x60cm,  Mix Material, Nie Yiwei, 2018


《俯視》40x50cm 布面綜合 聶以為 2018

Overlook, 40x50cm, Mix Material, Nie Yiwei, 2018


油畫 三聯 15X40cm Polly Williams(澳大利亞)2018

Oil Paintings, 3 pieces 15x40cm, Polly Williams, Australia, 2018


綜合材料 Polly Williams(澳大利亞)2018

Mix Material, Polly Williams, Australia, 2018


Promiti Hossain (孟加拉)紙上綜合材料 30X30cm 2018

Promiti Hossain (Bangladesh), Mix Material on Paper, 30x30cm, 2018


Promiti Hossain (孟加拉)20x30cm 紙上綜合材料 2018

Promiti Hossain (Bangladesh), 20x30cm, Mix Material on Paper, 2018


Jitoma, el Dios Sol, Acrylic on canvas, 50x80cm, Rember Yahuarcani (Peru), 2018

《太陽神西多瑪》布面丙烯 50x80cm Rember Yahuarcani(秘魯)2018


El Padre de los Alimentos, Acrylic on canvas, 50x50cm, Rember Yahuarani (Peru), 2018

《食物之神》布面丙烯 50x50cm Rember Yahuarani(秘魯)2018


《夜》布面油畫 60x80cm 任鶴 2018

Night, Oil on Canvas, 60x80cm, Ren He, 2018


《窗》布面油畫 90x120cm 任鶴 2018

Window, Oil on Canvas, 90x120cm, Ren He, 2018


《擁》布面油畫 80×100cm 譚勤 2018

Hug, Oil on Canvas, 80x100cm, Tan Qin, 2018


《圍困》布面油畫 100×120cm 譚勤 2018

Besiege, Oil on Canvas, 100x120cm, Tan Qin, 2018


Color Pallet Practice 1.2.3.4, each 74x26cm, Acylic on canvas fabric, Seirin Hyung (Korea), 2018

《調色板練習 1.2.3.4》每個 74x26cm 布上丙烯 Seirin Hyung(韓國)2018


《吮吸》系列 亞克力 486x56cm 滕海瑛 2018

Sucking Series, Acrylic, 486x56cm, Teng Haiying, 2018


《瘟》布面油畫  195x150cm 王劉健 2018

Plague, Oil, 195x150cm, Wang Liujian, 2018


一個演員朋友 25  布上丙烯 80X160cm 毋蓬勃  2018年

An Actor Friend 25, Acrylic on Canvas, 80x160cm, Wu Pengbo, 2018


一個演員朋友 21  板上丙烯 50X50cm 毋蓬勃 2018年

An Actor Friend 21, Acrylic on Canvas, 50x50cm, Wu Pengbo, 2018



《游走于異度空間的蜉蝣生物》2幅 250x150cmm 布面油畫 薛暢 2018

Plankton swimming in another dimensional world, 2 pieces, 250x150cm, Oil on Canvas, Xue Chang, 2018


《葬禮01》宣紙 墨汁 面 50X90cm 雪芹子 2018

Funeral 01, Xuan Paper, Ink, and Flour, 50x90cm, Xue Qinzi, 2018


佛跡—9  120x100cm 宣紙 墨汁 楊先平 2018年 

Buddhist Relics 9, 120x100cm, Xuan Paper and Ink, Yang Xianping, 2018


佛跡—10  60x80cm 宣紙 墨汁 楊先平 2018年 

Buddhist Relics 10, 60x80cm, Xuan Paper and Ink, Yang Xianping, 2018


《記憶流金》80x100cm 布面丙烯 金屬箔 詹明昭 2018

Memory as Floating Gold, 80x100cm, Acrylic on Canvas with Gold Foil, Zhan Mingzhao, 2018


《呈瑞演》30x30cm 木板丙烯 詹明昭 2018

Cheng Rui Yan, 30x30cm, Acrylic on Wood, Zhan Mingzhao, 2018


 《限制 A09》 0.65米×0.92米 布面綜合材料 張智罡 2018

Limitation A09, 65x92cm, Mix Material on Canvas, Zhang Zhigang, 2018

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