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Seirin Hyung (South Korea) Solo Exhibition
[2018-10-23 13:34:40]
【上苑現(xiàn)場(chǎng)】漸漸 Red <Augmented Red> | 邢世潾（韓國(guó)）個(gè)展
Seirin Hyung Solo Exhibition
策展人：李念奴
學(xué)術(shù)主持：程小蓓
藝術(shù)家：邢世潾（韓國(guó)）
開幕時(shí)間：2018年10月25日16：30
展期：2018年10月25日至31日
展覽地點(diǎn)：中國(guó) 北京 上苑藝術(shù)館 A4工作室
主辦：上苑藝術(shù)館
Curator: Li Niannu
Academic Host: Cheng Xiaobei
Artist: Seirin Hyung (South Korea)
Opening: 16:30, Oct, 25th, 2018
Period: Oct, 25th to 31th, 2018
Venue: Shangyuan Art Museum, Space A4, Beijing, China
Organizer: Shangyuan Art Museum.
前言
異鄉(xiāng)·異相
作為一位初次來到中國(guó)的韓國(guó)女孩，藝術(shù)家Seirin的中國(guó)印象不可避免地有一種異鄉(xiāng)人的疏離感，充滿驚奇，困惑和不安，還有一種類似夢(mèng)境的恍惚，游移與不確定，這些氣息彌漫于她的畫面和講述之中，構(gòu)成了這批作品的基調(diào)和主題。 Seirin說她來到中國(guó)看到了太多的紅，我覺得她非常準(zhǔn)確地抓住了這個(gè)國(guó)家的一個(gè)外在特征，并把它作為自己這組作品的主色調(diào)，從而使作品的語言更清晰，更有針對(duì)性和感染力，也使主題更突出。與真正的中國(guó)紅相比，她用了粉紅和熒光紅來表達(dá)自己的感覺，使作品具有了更濃厚的現(xiàn)代感。 Seirin這組作品以初來中國(guó)的所見及藝術(shù)館周邊環(huán)境為主要題材，但并非簡(jiǎn)單的再現(xiàn)，畫面最終呈現(xiàn)的，是經(jīng)她思索和改造后的外部世界，是陌生的環(huán)境與她個(gè)人的思維方式和藝術(shù)理念沖突后的結(jié)果。 Seirin特別強(qiáng)調(diào)環(huán)境和時(shí)代對(duì)人的異化作用，為此深感不安和無奈，她試圖抗拒和消解這種異化，這組繪畫和攝影作品就是她抗拒的方式之一，因此可以說，對(duì)于異化的講述和抗拒，也是她作品的主題之一
李念奴
作品選刊：
Reservoir study1_ 95x300cm_Acrylic on canvas fabric_2018
Reservoir study2_ 95x300cm_Acrylic on canvas fabric_2018
Reservoir study3_ 109x100m_Acylic on canvas fabric_2018
Reservoir study4_ 109x100m_Acylic on canvas fabric_2018
Color Pallet Practice 1.2.3.4_ each 74x26cm_ Acylic on canvas fabric_2018（上苑藝術(shù)館收藏)
Color Pallet documentation on Mosquito tablet_ each 2x3.5cm_ Acrylic on mosquito tablet_2018
bus1 公共汽車1_40x53 digital print_2018
bus2 公共汽車2_40x44 digital print_2018
bus3 公共汽車3 60x40cm_ digital print_2018
Seirin Hyung CV
The color is one of the signifiers in my work. I wanted to look at that culture through the red color. Color can represent now, which contains the time, era, space, culture, and history of course. I proceeded the < 漸漸 Red; Augmented Red> project while I staying in Shangyuan Museum Artist Residency program. In this project, I had time to explore the relation between the specific place and myself.
I examined how figurative painting can function as a medium for visualizing emotions in this digital era. I focused on the ideas of fear, isolation, and anxieties that come from surroundings. In particular, they deal with a sense of alienation derived from modern digitalized society and culture. Neon and gradation of the color usually forms a background for the painting and is used as a motif to filter the visual information. At the same time, this technique allows me to express the notion of alienation and emptiness.
I aspire deceleration world. In this digitalized society, lots of things are changed and appeared so fast before adapted at this moment. Somehow, ‘Painting’ looks like the world I aspired.
EDUCATION:
2016 - 2017 Glasgow School of Art, MLitt Fine Art Practice, Painting, Glasgow, UK
2008 - 2014 Konkuk University, Contemporary Art, BFA, Seoul, Korea
2010 The exchange program at Satakunta University of Applied Sciences, Fine Art, Kankaanpaa , Finland
AWARDS/ RESIDENCY:
2018 Shangyuan Art Museum Artist Residency Program, Beijing, China
2018 Kunstnarhuset Messen Artist Residency Program, Ålvik, Norway
2017 Shortlisted (final judging), Mussini Oil Painting Competition, London, UK
2016 Dumfries house artist residency program, Ayrshire, UK
EXHIBITION:
solo exhibition
2018 <Iridescent Moment> Galleri Bokboden, Bergen, Norway
group exhibition
2017 <Drifting Corridors> Old Hairdressers, Glasgow, UK
2017 <Fields of Wheat> Transmission Gallery, Glasgow, UK
2017 <Glasgow School of Art Graduate Degree Show 2017> Tontine Building, Glasgow, UK
2017 <An Exhibition> Mackintosh Club, Helensburgh, UK
2017 <PORTAL_somewhere only we know> Savoy Centre, Glasgow, UK
2017 <Mixed Bag; contemporary art but not too contemporary> Art Centre & Theatre Aberdeen, Aberdeen, UK
2017 <Somewhere Far from Subject Itself> House for an Art Lover, Glasgow, UK
2016 < Deltiology> Six foot Gallery, Glasgow, UK
2018 Glasgow University Magazine, 2nd March 2018
2017 Forest Art Market, The forest café, Edinburgh, UK
2017 Fringe festival art market, House for an Art Lover, Glasgow, UK
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