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Brackets_沙浴口’Lee Seungjae 個展12日在上苑藝術(shù)館
[2015-9-8 14:52:42]
Brackets_沙浴口’Lee Seungjae 個展12日在上苑藝術(shù)館
主 題： 光，空間與時間，觀念攝影。日常生活是意義和審美的起點，它從重復(fù)和差異開始。
藝術(shù)家：Lee Seungjae(韓國)
時 間：9月12-15日,
展覽地點：北京懷柔橋梓-上苑藝術(shù)館
主辦 單位：上苑藝術(shù)館
作者在上苑藝術(shù)館的工作自述：
我的工作是關(guān)于光，空間和時間。這三個組成部分是攝影中最基本的東西。有了這些我就更接近我的日常生活。在我的房間里，最熟悉的空間，是我工作的主要方法，下面是我房間里的燈光和時間的流動。我拍了照片24次（每隔一小時）在一天用相同的曝光值。這些圖片按時間順序排列。
在我們的生活中，我們得到了很多東西。這可能是社會經(jīng)濟的革命，個人儀式的通道，人與人之間的沖突，父母或配偶死亡，或出現(xiàn)一個新的生活。我們都必須相遇所有這些事件。事件背后有我們付出的日常生活。即使是一個巨大的革命，作為一個個體，我們也要過我們的日常生活。你必須睡在你房間的墻下，并不改變你生活的條件。這就是我們?nèi)粘Ｉ畹闹匾缘脑颉?
我的工作目標是有一個審美的角度來看，每天的場景。為了達到目標，我必須問我自己，意義和審美的起點。在我看來，它是從重復(fù)和差異開始。我試圖展示墻，每天看到我們不通過我的照相性能相同的墻。
另外，我嘗試了一種新方法在上苑藝術(shù)館。它是匹配的幾張照片，拍攝于懷柔區(qū)沙峪口的道路與我房間的墻或地板上的圖片。通過安排和匹配這些圖片，我希望擴大到外部世界的角度。
Current Work Description In Shangyuan Art Museum
Brackets_沙峪口
Lee, Seungjae
My work is about light, space and time. These three components are the most fundamental things in photography. With these components, I would like to approach my daily life. Following the flow of lights and time of trivial daily scene of my room that is the most familiar space to me is the main method of my work. I took pictures 24 times (every one hour) a day during 7days in same exposure value. And arranged these pictures chronologically.
In our life, we are getting through lots of things. It could be socio-economical revolutions, personal rite of passages, conflicts in between people, death of parents or spouse, or giving birth to a new life. We have to get through all of these events. Buy the way, behind these all of events there is our daily life. Even though how massive revolution evokes, as a individual, we have to live our daily life. You have to go to sleep in side of the walls of your room, and have to get up inside of that also. That is non-changing conditions of your life. That is the reason of importance of our daily life.
The goal of my work is to have a point of view of aesthetic to the daily scene. In order to achieve goal, I have to ask my self about the starting point of meaning and aesthetic. In my opinion, it starts from the repetitions and differences. I tried to show the wall that we see everyday is not the same wall through my photographical performance.
Also, I tried a new method here in Shangyuan Art Museum. It is matching few photographs that were taken on the road of this district 沙峪口 with the pictures of my room’s wall or floor. By arrange and match these pictures I expect to expand the point of view to the outer world.
新聞發(fā)布Pressrelease：
上苑藝術(shù)館-官方網(wǎng)站, 文學(xué)藝術(shù)國際聯(lián)盟英文網(wǎng)站, 北京文藝網(wǎng), 藝術(shù)數(shù)據(jù)網(wǎng), 藝術(shù)國際網(wǎng), 99藝術(shù)網(wǎng), 雅昌藝術(shù)網(wǎng), 當代藝術(shù)社區(qū)ART-BA-BA中國雕塑家網(wǎng) 新浪上苑官博, 中國美術(shù)家網(wǎng), 卓克藝術(shù)網(wǎng), 中國攝影網(wǎng), 中國拍賣網(wǎng), 當代藝術(shù)網(wǎng), 中國搜索網(wǎng), 中國當代藝術(shù)網(wǎng)
簡歷：
1981出生于韓國
EDUCATIONM.F.A., Photography, Hong-ik Univ., 2013M.A., Clinical and Counseling Psychology, Korea Univ.. 2010B.A., Psychology, Korea Univ., 2006 RESIDENCYBaltic Gallery of Contemporary Art, Poland, 2014SOLO EXHIBITIONBrackets_Ustka, Baltic Gallery of Contemporary Art, Poland, 2014Where You Are, Gallery NUDA, Daejeon, Korea, 2013Familiar Difference, The K Gallery, Seoul, Korea, 2013GROUP EXHIBITIONBE MY SANTA CLAUS(Charity Party), Beyond Museum, Seoul, Korea, 2012In-Sight, HOMA, Seoul, Korea, 2012Post-Photo, Gallery Gong Art Space, Seoul, Korea 2011ASYAFF, Hong-ik Univ., Seoul, Korea, 2011MEDIA COVERAGESajinyesul; The Monthly Photographic Art Magazine, June, 2013“New Generation”, pp86-89Korea Uviv. Alumni News, Feb, 2012
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上苑 & 鳥巢－文學(xué)藝術(shù)國際聯(lián)盟（簡稱：國際文盟）
International Network of Literature and Art（INLA）
電話: 010-60635299 60635757
Website: http://www.inlac.cc/
http://www.sh-yinshua.com/
交通指南□北京東直門916路、942路到懷柔，轉(zhuǎn)杯柔-沙峪口（上苑藝術(shù)館）
□京承高速12出口 > 右拐過水渠西行2KM > 良善莊路口北行到底>右拐300m路北
鳥巢文化中心建筑面積約為15,000平方米，是鳥巢建筑空間的重要組成部分。文化中心依托國家體育場•鳥巢自身的建筑特色、強烈的奧運色彩及獨特的品牌文化，充分發(fā)揮鳥巢“窗口”和“平臺”的自身優(yōu)勢，填補鳥巢作為一個露天體育場館缺少高端文化交流和會議會展設(shè)施的空白。
Bird’s Nest Cultural Center has 15,000 square meters’ construction area. It is an important component of the architectural space of Bird’s Nest. The cultural center, based upon the architectural characters of the National Stadium/Bird’s Nest, strong Olympic spirit and unique brand culture, is now completing the role as a high end facility for cultural events and conferences which Bird’s Nest lacks as an outdoor sport stadium.
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