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MAY EXHIBITIONs
The Other There: Solo Exhibition of Gao Shiqiang
No World-View for the Face: Solo Exhibition of Dong Wensheng
China Box - Expanded Painting: Prague Biennale 4

JUNE EVENTS BULLETIN >>>>>
Ole John Aandal:
Juvenilia - Constructing a Soul in Capitalist Societies
Li Yu & Liu Bo: 13 Month in the Year of the Dog

JULY EVENTS BULLETIN >>>>>
Postcapital. Archive 1989–2001

五月展覽
地點上的時間：高世強個展
沒有世界觀的面孔：董文勝個展
中國盒子: 繪畫的邊界與延伸

六月展覽預告
奧利·約翰·安達爾
少作 —— 構建資本主義社會的靈魂
李郁 & 劉波：狗年13個月

七月展覽預告
后資本文獻1989—2001

高世強是近來中國當代藝術創(chuàng)作中出現(xiàn)的“學者型”藝術家之一。他的一系列作品，包括裝置、攝影和實驗電影，對現(xiàn)實的思考和體認較之同齡人顯得更加廣闊和復雜，并呈現(xiàn)出一定的系統(tǒng)性。他的近期作品擺脫了狹隘的意識形態(tài)紛爭，把對中國歷史文化的思考帶到了一個新的高度。

董文勝的創(chuàng)作也是自由地穿梭于攝影、裝置和實驗電影之間，他通常利用中國傳統(tǒng)文化的元素進行創(chuàng)作，作品風格斑斕腐朽，氣息潮濕，充滿詩意。長期以來，董文勝用視覺論述的方式，以跨越文化疆界的語言，致力關注傳統(tǒng)文脈與當代社會全球化進程的糾纏、個體精神感知對現(xiàn)代化城市建設理念的對抗。作品同時亦涉及了時間、存在等哲學命題。

作為近年來最活躍的青年藝術家，高世強參加過包括“上海雙年展”、“廣州三年展”、“光州雙年展”、“中國藝術三年展”在內的幾乎亞洲所有最重要的雙三年展；董文勝參加過紐約P.S.1當代藝術中心、維也納美術館、瓦倫西亞現(xiàn)代藝術博物館等國際重要藝術機構的展覽。

本次展覽是兩位藝術家在北京的首次大型個展，將展出藝術家創(chuàng)作的多件新作。

藝術家： 高世強、董文勝 策展人：左靖
展覽開幕：2009年4月26日下午17：00
展覽時間：2009年4月26日— 6月20日
展覽地點：伊比利亞當代藝術中心 北京市朝陽區(qū)酒仙橋路4號798藝術區(qū)E06
總監(jiān)：夏季風 出品人：高平
主辦：伊比利亞當代藝術中心 | 西班牙國際文化藝術基金會
電話：86 10 5978 9530 / 5978 9030 電子郵箱：info@iberiart.org

Gao Shiqiang is one of the recent “scholarly” artists in the field of Chinese contemporary art. Gao’s work, which includes installations, photographs and experimental films, carries a sense of broadness and complexity towards the reflection and bodily experience of daily life—such qualities are rarely found amongst his peers. His practice also hints at a systematic way of conceiving works. His recent pieces move away from the narrow confines of competing ways of thinking, and in turn, he brought a way of conceiving Chinese history and culture to new heights.

Dong Wensheng’s work also freely crisscrosses between installation, photography and experimental films. His work frequently includes elements of Chinese tradition with a strong link to characteristics related to the region of Jiangnan. His highly individualistic pieces often transpose the viewer into a paradoxical realm that hovers between the traditional past and the contemporary present; Dong is interested in infusing his spectators within a state of tragic psychological sadness.

Gao Shiqiang is an active young artist who has participated at numerous important Asian art exhibitions, such as the Shanghai Biennale, the Guangzhou Triennial, the Gwangju Biennale, and the Chinese Art Triennial Exhibition. Dong Wensheng has exhibited at a number of important international institutes, such as the P.S.1 Contemporary Art Center (New York), the Kunsthalle Wien (Vienna), and at the Institut Valencià d’Art Modern (Valencia).

This exhibition is their first solo shows in Beijing that also presents a number of their recent pieces.pieces.

Artists: Gao Shiqiang, Dong Wensheng Curator: Zuo Jing
Opening: 5:00 pm, April 26, 2009
Exhibition Dates: April 26—June 20, 2009
Venue: Iberia Center for Contemporary Art
E06, 798 Art Zone, No.4 Jiuxianqiao Rd., Chaoyang District, Beijing
Director: Xia Jifeng Producer: Gao Ping
Organizer: Iberia Center for Contemporary Art, International Art and Culture Foundation of Spain (IAC)
Phone: 86 10 5978 9530 / 5978 9030 Email: info@iberiart.org

高世強作品 —— 桃花源,裝置(鉛、木、冰、鮮花、燈管等), 2009
Gao Shiqiang, Peach Blossom Spring, Installation (Lead, wood, ice, flowers, light tube), 2009

開幕現(xiàn)場 EXHIBITION OPENING

(從左起) 吳山專、高士明、高世強、董文勝、Ursula Panhans-Bühler
(From left) Wu Shanzhuan, Gao Shiming, Gao Shiqiang, Dong Wensheng, Ursula Panhans-Bühler



阿根廷大使和大使夫人到訪
IAC基金會理事邱晨楓
Ambassador of Argentina to China and his wife chat with Mr Qiu, board member of IAC Foudation

布拉格雙年展已經(jīng)步入第四屆，目前已在世界范圍內將自身確立為最具活力和興奮點的雙年展之一。在捷克舉辦的布拉格雙年展，尤其是其中的繪畫單元已經(jīng)成為國際藝術參考點。

第四屆布拉格雙年展（5月14日— 7月26日）將以前所未有的規(guī)模聚焦于來自世界各地的新興繪畫。本屆雙年展將推出常規(guī)展“繪畫的邊界與延伸”作為雙年展的主展項目，以巨大的規(guī)模首次展出全世界范圍年輕藝術家的作品。“繪畫的邊界與延伸”單元致力于發(fā)掘世界藝術的寬闊內涵，以及探討繪畫實踐中的廣泛交叉點。今年的雙年展特別委任意大利策展人Cecilia Freschini聯(lián)合伊比利亞當代藝術中心推出“中國盒子”作為唯一的中國項目參展。

策展人Cecilia Freschini策劃的“中國盒子”為觀眾帶來共十二位中國當代藝術家的繪畫作品，展覽以象征著中國智慧和創(chuàng)造力的“中國盒子”為標題，展現(xiàn)了策展人對中國當代繪畫的剖析視角和理解方式：“‘中國盒子’是中國。‘中國盒子’是社會經(jīng)濟與藝術架構的基礎。‘中國盒子’是欲望之盒，文化創(chuàng)造力、中國思想和理想封存其中。‘中國盒子’是回答。”

參展藝術家：崔潔，李超，李青，李威，秦沖，秦琦，屠宏濤，王光樂，王亞彬，王亞強，薛珺 ，葉永青
策展人：Cecilia Freschini（意大利）
開幕：2009年5月14日、15日、16日 （周四、周五、周六）
展覽時間：2009年5月14日— 7月26日
展覽地點：捷克共和國布拉格市卡林廳
主辦：

PRAGUEBIENNALE is already in its forth year. Having established itself as one of the most dynamic and interesting Biennale all around the world. This internationally acclaimed biennale in Czech Republic has become the international reference point, especially with regards to painting.

PRAGUEBIENNALE 4 (May 14 - July 26) is the biggest show focusing on young painting all around the world.PRAGUEBIENNALE 4, as usually will present EXPANDED PAINTING, as the main project in the Biennal program. This is the hugest selection of the today young artists never been shown during an art biennale. Expanded Painting is dedicated to painting from all over the world with all its diverse connotations and in all its diverse conjugations. This year PRAGUEBIENNALE is proud to present the new section: “China Box”, featuring contemporary painting from China.

The curator Cecilia Freschini has introduced to this edition new contemporary paintings by twelve artists from China. The project is entitled “China box”, which is a symbol of Chinese philosophy, wisdom and creativity. “China box” is a show that communicates to the audience how an independent curator beholds and understands Chinese contemporary painting today: “‘China box’ is China. ‘China box’ is the basement of the social, economic and artistic structure. ‘China box’ is the weft, a desires’ pix in which are hedged in ideals, thoughts and cultural creativity. ‘China box’ is the answer.”

Artists: Cui Jie, Li Chao, Li Qing, Li Wei, Qin Chong, Qin Qi, Tu Hongtao, Wang Guangle, Wang Yabin, Wang Yaqiang, Xue Jun, Ye Yongqing
Opening: May 14th-15th-16th (Thursday, Friday, Saturday) 2009
Dates: May 14 - July 26
Venue: Karlin Hall, Prague, Czech Republic
Curated by: Cecilia Freschini
Presented by:

展覽現(xiàn)場 EXHIBITION VIEW

我們非常榮幸的邀請您參加2009年6月13日下午3點由伊比利亞當代藝術中心和挪威Porsgrunn Art Society共同舉辦的聯(lián)合項目：它們由兩個個展組成，一個是來自挪威的藝術家奧利•約翰•安達爾的“構建資本主義社會的靈魂”，另一個是來自中國的藝術家組合李郁、劉波的“狗年13個月”。

通過與國外藝術機構密切和有效的合作向中國介紹西方的當代藝術，同時向歐洲或西方推介中國年輕的當代藝術，這是伊比利亞當代藝術中心秉持的基本理念和工作方向之一，我們熱切的希望伊比利亞當代藝術中心能夠成為中西方藝術增進彼此溝通與了解的一個平臺。也許通過本次并置式的展覽，我們能夠了解藝術家們是如何選擇通過攝影這樣一個共同的技術手段，來呈現(xiàn)各自于不同地理境域中迥異或者是相似的發(fā)現(xiàn)。

“狗年13個月”是兩位武漢藝術家李郁和劉波的系列攝影作品，其創(chuàng)作靈感源自當?shù)貛准抑匾獔蠹埖纳鐣�新聞報道。李郁和劉波在藝術創(chuàng)作中觀察現(xiàn)實世界，利用媒介自身以及仿照舞臺攝影風格拍攝出的場景頗有幾分用類似肥皂劇般的錄像作品來詮釋現(xiàn)實。

早在1998年，兩位藝術家就圍繞劉波關于傷害和暴力的想法以及暴力在藝術史中的表征等概念開始了合作，隨后他們的創(chuàng)作與李郁在現(xiàn)實生活的新聞故事基礎上進行藝術虛構的興趣進一步相結合。他們對新聞故事的復現(xiàn)以一種充滿人性的方式挫敗了新聞媒介，那些如同明信片的美景所描繪和閃現(xiàn)的是生死、愛恨、謀殺與癲狂、復仇、正義與暴力、社會變遷以及信仰的淪喪。

“少作——構建資本主義社會的靈魂”
自由主義市場經(jīng)濟讓全球的商業(yè)公司得以通過新聞媒體和廣告活動中的光鮮圖像和視覺修辭來改變我們思維和感受的方式。藝術家奧利•約翰•安達爾對這種圖像轟炸帶來的噪音干擾心存憂慮，同時擔心它們對正處于自我身份形成早期階段的青少年會造成影響，于是新生的MMS（多媒體短信服務Multimedia Messaging Service）現(xiàn)象激發(fā)了他的興趣。這些使用手機和電腦攝像頭拍攝的低像素圖片能通過因特網(wǎng)迅速發(fā)送到其它手機和電腦上。

大人將此視為電信公司讓人掏錢的促銷伎倆，然而青少年們卻把它看作與同齡人和外界直接溝通的新方式而欣然接受。“少作”是來自新媒體世界的年輕人的聲音，在這里，人人都是藝術家，一切想象都是真的。

藝術家： 奧利·約翰·安達爾、李郁&劉波
策展人：Andreas Rishovd、蘇文祥
展覽開幕：2009年6月13日下午17:00
展覽時間：2009年6月13日—7月12日
地點：伊比利亞當代藝術中心（北京市朝陽區(qū)酒仙橋路4號798藝術區(qū)E06）
出品人： 高平 總監(jiān)：夏季風 藝術總監(jiān)：左靖

主辦：
伊比利亞當代藝術中心｜Porsgrunn Art Society｜西班牙國際文化藝術基金會
協(xié)辦：

IIberia Center for Contemporary Art, in collaboration with Porsgrunn Art Society from Norway proudly invite you to our joint project, which is comprised of two exhibitions: JUVENILIA – CONSTRUCTING A SOUL IN CAPITALIST SOCIETIES featuring Norwegian artist Ole John Aandal, and 13 MONTH IN THE YEAR OF THE DOG showcasing the Chinese artist duo Li Yu & Liu Bo.

Iberia Center for Contemporary Art has taken the expansion of a close and effective working relationship with art organizations worldwide as its basic principle and an important orientation, to introduce westerm contemporary art to China and to present young Chinese contemporary artists to Europe or the West at large. Hopefully, the Center will grow into a platform supporting and facilitating the mutual exchange and communication between art worlds of the East and the West. Perhaps, the present parallel exhibitions will serve as a real opportunity for the audience to discover how artists employ the same media of photography to present differences or similarities rooted in different geographic spaces.

“13 months in the year of the dog” by Li Yu and Liu Bo, both from Wuhan city, is an ongoing photographic series, inspired by social reportages from several local big newspapers.

In their work, Yu and Bo observe reality, interpreting it via the media itself and in a movie like staged photographic fashion, not very unlike scenes from soap operas. The artists started their collaboration back in 1998, based on Bo`s thoughts around harm and violence, and representation of violence in art history. This was then combined with Yu`s interest for news stories from everyday life as basis for artistic fabrication. Their reproduction of news stories is a humane way of defeating press media, through postcard like and beautiful sceneries, depicting glimpses of life, death, hate, murder and insanity, revenge, justice and violence, social change and the loss of religion.

JUVENILIA - CONSTRUCTING A SOUL IN CAPITALIST SOCIETIES
Market liberalism allows global companies to change the way we think and feel by the use of glossy photography and visual rhetoric in news media and advertising campaigns. Worrying about the sheer noise created by this image bombardment, and its effect on adolescence in the early stages of forming their identities, Ole John Aandal was intrigued by the new phenomenon MMS; these low-resolution photographs taken with cameras in cell phones or computers, easily distributed to other phones or computers throughout the Internet. As adults tended to dismiss it as another marketing trick by the telephone companies to wring our pockets, teenagers have embraced it as a new and immediate way of communicating with their peers and the world at large.

JUVENILIA is the voice of teenagers in a new media world where everybody is an artist and everything you can imagine is real.

Artists: Ole John Aandal, Li Yu & Liu Bo
Curator: Andreas Rishovd, Su Wenxiang
Opening: 5:00 pm, June 13, 2009
Exhibition Dates: June 13—July 20, 2009
Venue: Iberia Center for Contemporary Art
E06, 798 Art Zone, No.4 Jiuxianqiao Rd., Chaoyang District, Beijing
Director: Xia Jifeng Producer: Gao Ping

Organizer:
Iberia Center for Contemporary Art, Porsgrunn Art Society,
International Art and Culture Foundation of Spain (IAC)
Co-organizer:

奧利·約翰·安達爾作品
Ole John Aandal’s works

本次展覽由伊比利亞當代藝術中心與西班牙Tomás y Valiente藝術中心（CEART）共同舉辦。

“后資本文獻1989-2001”是西班牙藝術家丹尼埃爾·加西亞·安杜哈參加2009年威尼斯雙年展的項目；德國斯圖加特Württembergischer Kunstverein藝術館也曾在2008年11月22日至2009年1月18日展出了此項目。

“后資本文獻1989-2001”是由丹尼埃爾·加西亞·安杜哈構思的一個多媒體項目，其中包括了多媒體裝置、布景、開放數(shù)據(jù)庫、工作坊等，所有作品都來源于藝術家在十多年的藝術創(chuàng)作過程中收集自因特網(wǎng)的超過25萬的文獻資料，其中包括出版物片段、影像、圖書館資料、音頻與圖像。

“后資本”思考中包括了在過去的二十年里全球范圍內社會、政治、經(jīng)濟與文化領域的一系列深遠變革，其分水嶺即為1989年柏林墻的倒塌、2001年的“9-11”事件。在此安杜哈把“柏林墻倒塌”之后的事件看作后資本主義，而非后共產(chǎn)主義的方方面面。這兒要提出的問題是，資本社會在它們曾經(jīng)的對立物消失后在何種程度上發(fā)生了變化，同時在1989-2001年間又有哪些新的“墻”在國際政治中被樹立起來？英語中的后資本“postcapital”一詞可同時指涉金融資本與首都城市。因此，此項目也同時探討資本社會的種種變革與其城市化力量移動的軌跡。

藝術家簡介：丹尼埃爾·G·安杜哈
1966年出生，現(xiàn)居住、工作于巴塞羅納。作為多媒體藝術家，他在80年代后期開始使用進行視頻藝術創(chuàng)作。作為Irrational.org (international reference point for art on the web）的成員之一，他在1996年開始了“人類技術”（TTTP）項目，在互聯(lián)網(wǎng)、及實體媒介兩方面發(fā)展（展覽、裝置、光盤…）。研究多種概念諸如模擬、真實性、版權、市場戰(zhàn)略、媒介與力量間的關系、以及技術交流網(wǎng)絡的全球化使用等等，此外還有在公共場所就種族歧視、排外等主題創(chuàng)作介入藝術，探討監(jiān)視系統(tǒng)技術的濫用……

藝術家作為Irrational.org網(wǎng)站的長期成員和技術為人民的創(chuàng)辦者，他創(chuàng)造了大量基于互聯(lián)網(wǎng)的項目，比如art-net-dortmund，e-barcelona.org, e-valencia.org, e-seoul.org, e-wac.org, e-sevilla.org, Materiales de artista等。同時，他也在很多國家指導了大量面向藝術家和社會團體的工作坊。
他的作品及項目在西班牙國內外許多地方展出，其中包括：2006年PhotoEspaña（攝影西班牙）、2001年柏林國際跨媒體藝術節(jié)（Transmediale）、巴黎蓬皮杜中心、2000年香港微波國際新媒體藝術節(jié)、美國波特蘭美術館、1999年倫敦ICA當代藝術中心等。2009年他還將以“Postcapital. Archive 1989 - 2001”項目參加威尼斯雙年展。

策展人簡介：瓦倫丁·洛馬
生于1970年，現(xiàn)居住、工作于巴塞羅納。畢業(yè)于巴塞羅納自治大學（UAB）哲學文學系藝術史專業(yè)，曾擔任2009年威尼斯雙年展加泰羅尼亞展廳策展人。

藝術家：丹尼埃爾·加西亞·安杜哈 策展人：瓦倫丁·洛馬
展覽開幕： 2009年7月25日
展覽日期：2009年7月25—8月30日
展覽地址：伊比利亞當代藝術中心（北京市朝陽區(qū)酒仙橋路4號798藝術區(qū)E06）
出品人： 高平 總監(jiān)：夏季風 藝術總監(jiān)：左靖
主辦：西班牙國際文化藝術基金會｜伊比利亞當代藝術中心|
西班牙Tomás y Valiente藝術中心（CEART）
電話：86 10 5978 9530 / 5978 9030 電子郵箱：info@iberiart.org

This exhibition is organized by Iberia Center for Contemporary Art, Beijing, China and Centro de Arte Tomás y Valiente, Fuenlabrada, Madrid, Spain (CEART).

Daniel García Andújar will present “Postcapital . Archive 1989 - 2001” at the Venice Biennale 2009. The project has been shown at Württembergischer Kunstverein Stuttgart from 22 November 2008 to 18 January 2009, and will be part of the 53rd edition of the Venice Biennal.

The project—conceived, in equal measure, as multimedia installation, stage, open databank, and workshop—is founded on a digital archive comprised of over 250,000 documents (texts, audio files, videos, etc.) from the Internet compiled by the artist over the past ten years.

Postcapital revolves around the far-reaching changes having evolved worldwide in social, political, economic, and cultural realms over the last two decades, their watershed moments emblematized in the 1989 Fall of the Berlin Wall and the attacks on September 11, 2001. Here, Andújar views the developments subsequent to the “Fall of the Wall” not as aspects of postcommunism but rather of postcapitalism. Emerging here is the question as to what extent capitalist societies have changed in absence of their erstwhile counterparts and which new walls have been erected through the global politics following events of 1989 and 2001. The word ‘postcapital’ in English also denotes ‘financial capital’ and ‘capital city’. Thus, this project also touches on the reformulation of social forces in the process of urbanization in capitalist societies.

ARTIST INFO | DANIEL GARCÍA ANDÚJAR
Born in Almoradí,1966. Currently works and lives in Barcelona. Daniel García Andújar uses irony and presentation strategies that employ new communication technologies to question the democratic and equalitarian promises of these media and criticize the desire for control lying behind their apparent transparency. Based on the confirmation that new information and communication technologies are transforming our everyday life, Daniel G. Andújar created a fiction (Technologies To The People, 1996) designed to make us increase our awareness of the reality around us and of the deception in promises of free choice that are converted, irremissibly, into new forms of control and inequality.

A long-time member of irrational.org (international reference point for art on the web) and founder of Technologies To The People, he is the creator of numerous projects on the Internet such as art-net-dortmund, e-barcelona.org, e-valencia.org, e-seoul.org, e-wac.org, e-sevilla.org, Materiales de artista, etc. He has directed numerous workshops for artists and social collectives in different countries.

CURATOR INFO | VALENTÍN ROMA
Born in Sabadell, 1970. Currently works and lives in Barcelona. Graduated from Philosophy & Culture and Art History Department of UAB University in Barcelona of Spain. He is the curator of Catalonian exhibition hall at the Venice Biennal 2009.

Artist: Daniel García Andújar
Curator: Valentín Roma
Opening: July 25, 2009
Dates: 25 July - 30 August 2009
Venue: Iberia Center for Contemporary Art
E06, 798 Art Zone, No.4 Jiuxianqiao Rd., Chaoyang District, Beijing
Director: Xia Jifeng Producer: Gao Ping
Organizer:
Iberia Center for Contemporary Art
International Art & Culture Foundation of Spain (IAC)
Centro de Arte Tomás y Valiente, Fuenlabrada, Madrid, Spain(CEART)
Phone: 86 10 5978 9530 / 5978 9030 Email: info@iberiart.org