匆忙的物質(zhì)
Leire Lacunza和Estelle Magnin使用攝影、繪畫和數(shù)字媒體來呈現(xiàn)不同的圖像感知。在這次展覽中，藝術(shù)家們通過展示他們創(chuàng)作過程中的不同步驟來研究藝術(shù)其中的唯一性與復(fù)制性的概念，每一步都是獨(dú)一無二的作品。她們用新的視角來看待一幅圖像，展示了如何考慮以及制作過程，展覽還展出Estelle Magnin與上苑另一位常駐藝術(shù)家宓赫言的合作畫作，這幅畫本身包含了許多層次，最終以一幅獨(dú)特的畫面結(jié)束。
Leire Lacunza是巴斯克藝術(shù)家，從事繪畫和數(shù)字媒體工作。她用油畫來形成每天都在變化的層次，在一個(gè)表面上壓縮不同的時(shí)間，就像地球的層次一樣。對(duì)于這些數(shù)碼畫，她首先從外部收集圖像，然后再將它們分層。然后，她開始了一個(gè)“雕刻過程”，把所有的圖層放在一個(gè)單獨(dú)的圖像上。圖像變成實(shí)物的方式是她作品的一個(gè)重要部分。
Estelle Magnin是一位從事攝影和繪畫的法國(guó)藝術(shù)家。為了更好的了解了她所前往的地方，她首先使用相機(jī)完成一個(gè)紀(jì)錄的過程。然后她再拍一些更有創(chuàng)意的照片，她對(duì)細(xì)節(jié)、色彩和抽象感興趣。在上苑藝術(shù)館，她把自己的照片作為繪畫的主題，然后再把這些畫作為新創(chuàng)作的主題。她顛覆了我們對(duì)同一幅照片常規(guī)的看法，這些照片有時(shí)拍得很快，她用顏料重新創(chuàng)作，然后再拍一次。印刷出來的圖片也變成了一幅新的創(chuàng)作，讓她能夠更深入地探索這兩種媒介之間的無限可能。
自2019年4月以來，Leire和Estelle都是上苑藝術(shù)館的常駐藝術(shù)家。
Hurry Matter
Leire Lacunza and Estelle Magnin use photography, painting and digital media to bring up different perceptions of an image. In this exhibition, the artists investigate the notions of transitoreness and reproductibilty by revealing different steps of their process, each step being an unique work. By considering how to show an image and the way of producing it, they attempt to engage new considerations to look at a picture. The exhibition also shows a collaborative painting of Estelle Magnin and Mi Heyan, another resident artist of Shangyuan, which contains in itself many layers to finally end in one unique picture.
Leire Lacunza is a Basque artist whose practice is specially focused on painting and digital media. She uses oil painting to form layers that are evolving from day to day, compressing different times on a surface exactly as the layers of earth do. For the digital paintings, she first collects images from outside before transforming them into layers. Then, she starts a "carving process" to bring those layers all together on a sole image. The way that the image becomes physical is an important part of her work.
Estelle Magnin is a French artist who works with photography and painting. To get a strong sense of the place she is travelling to, she first uses her camera in a documentary process. Then her photos tend to be more creative, with interests for details, colors and abstraction. At Shangyuan Art Museum, she exploits her photos as the subject for her paintings, before taking those paintings as a subject for a new photo. She explores the perception that we have of a same picture which has sometimes been shot quickly, then modelling slowly with colors, before being shot again. The printed picture becomes also like a new canvas, and allows her even more to look into that uneding circle of possibilities between those two mediums.
Leire and Estelle are both resident artists at Shangyuan Art Museum since April 2019.
