|
|
|
新聞 > 新聞頭條
|
|
|
【展訊】上苑藝術館2019國際創作計劃開幕展
[2019-5-5 15:32:49]
上苑藝術館2019國際創作計劃開幕展
2019 Shangyuan Residency Program Opening Exhibition
策劃：上苑19藝委會
Curation: 2019 Shangyuan Artists Committee
參展藝術家/ Artist：
陳威；成嬌龍；Estelle Magnin（法）；Gal.la Uriol Jané（西）；Goran Stakic（塞爾維亞）；Heather Beardsley（美）；何家明；后白月（詩）；姜佳鑫；Josh Gibbs（英）；Leire Lacunza（西）；李律；李云；李念奴；劉柏林；聶海松；宓赫言；牟俊；莫籽；秦姣姣；孫玉坤；湯軍（文）；田勇（文）；王峰；王海超；王劉健；韋青作；毋蓬勃；吳益文；邢昊（詩）；炫名；楊杰；楊先平；一枚（行為）；詹明昭；張墨穎；周巧云
展覽城市：北京
City of Exhibition: Beijing
開幕時間：2019年5月11日下午3：30
Opening: 3:30 pm, May 11th, 2019
展覽時間：2019年5月11日至30日
Duration: May 11th to 30th, 2019
地點：北京懷柔區橋梓鎮沙峪口村 上苑藝術館二號展廳
Location: Exhibition Hall No. 2, Shangyuan Art Museum, Qiaozi County, Huairou District, Beijing
主辦單位：北京上苑藝術館
Organizer: Shangyuan Art Museum
上苑藝術館作為目前國際上規模最大的非營利性綜合藝術駐留機構。倡導以“具有創造性與詩性語言特質的，和藝術家生存的現狀相關的生命體驗作為創作準則的藝術創新”的藝術主張，去發現在野的優秀藝術創作。并從2007年落成至今的十多年光陰中，見證了中國當代藝術的興衰，也凝聚成了一股不可忽視的藝術力量。
駐館藝術家們從各種不同門類的藝術創作中吸聚原創力，不斷拓展視野、刺激感觀、尋求突破。但由于深陷于當代世界的信息網絡之中，使得人們更容易獲得、更容易去選擇、也更容易迷失自我。而作為藝術家需要不斷的通過藝術創作來抵御這些現實信息對自我的蠶食，每一次新的嘗試、新的突破，就如同這個世界上的其他生命體態一樣，在世界秩序中無序的生長著、掙扎著、綻放著。
本屆上苑國際創作計劃入選的來自27個不同國家的60位駐留藝術家，他們從各自不同的時空秩序中掙脫，來到上苑藝術館這樣一個新的場域中。這次展覽將會是上苑藝術館2019年國際藝術駐留計劃的序章，我們通過嚴格的評選，將各位藝術家創作的精華以集體匿名的形式展示給大家。不論過往如何的輝煌或落魄，在這里，這些具有個體藝術之魂的藝術家們，將會在上苑駐館的7個月的時光中，通過與空間、時間、個體及事件之間的對話，獲得藝術的新生。
——執筆：牟駿
Shangyuan Art Museum currently runs the biggest nonprofit multi-disciplinary residency program in the world. We promote the viewpoint that ‘artistic creations with innovative and poetic characteristics should be inspired by individual experience of artists’ life conditions’, and to discover great artworks in the field. For more than a decade since our establishment in 2007, we have witnessed the rise and fall of contemporary Chinese art and have come a force in art world that cannot be ignored.
Our resident artists take inspirations from different art disciplines, to expand the horizon, to stimulate the senses, and to break though barriers. However, with the overflow of information in our world, it is far easier nowadays for people to choose, to obtain information, but also to lose yourself. As artists, we have to keep resisting the corruption from these abundance of information through our work of creation. Every new attempt, every new breakthrough, we will be just like every other species in this world, growing, struggling, and blossoming in this chaotic world order.
This year’s Shangyuan Residency Program is hosting 60 artists from 27 different countries. They broke free from the restraint of their own space and time, coming to Shangyuan, this new field. This exhibition will be the prelude of the 2019 Residency Program. After our rigorous selection process, we now gather the best of our artists into a unity to present to you, our audience, in anonymity. Despite our past glory and failure, here in this moment, these artists, with their individual artistic spirits, will spend 7 month in Shangyuan, via space, time, individual and collective experience and dialogue, to achieve artistic rebirth.
1992年生于廣西，2013年考進中央美術學院中國畫學院山水專業。Born in Guangxi in 1992, he was admitted to the landscape major of the Chinese painting Institute of the Central Academy of Fine Arts in 2013.
名稱：南山南 類型：金卡水墨 尺寸：70x180cm 創作年代：2018
創作說明：表現曲徑通幽移步換景之境，處于一種似與不似之間的感覺，在深遠與幽遠之間達到一種虛實轉換的藝術效果。
名稱：深谷清溪 類型：紙本水墨 尺寸：180x95cm 創作年代：2019
創作說明：通過水墨渲染表達對畫面氣韻之生動和一種可游可觀可居的狀態
名稱：幽玄 類型：金卡水墨 尺寸：50x150cm 創作年代：2019
創作說明：抽象與具象，金卡與水墨的結合，生發出一種似山非山，處于一種似與不似之間的感覺，表現在曲徑通幽之間的虛實轉換的藝術效果。
出生于河北新樂，現居石家莊。畢業于河北師范大學。
自述：
很奇怪，我們大部分在看作品的時候總是先入為主的歸類它，一幅畫、一件裝置、一段影像、一個作品……所以當一個思維一旦展現在一張紙一塊布上的時候，思維屈從了現實，薩特說“他人即地獄。”作為一個藝術事件的挑起者，我們都太“老實”了，我們總是太過于相信這是時代了。
我的創作努力表現無聲的狀態，但其實這樣我很痛苦。盡管思維上是如何的聲嘶力竭，行為上卻尊重了一幅畫的特質：安靜的事物。所以說，用一個沒有聲音的事物取描繪聲音，是多么讓人壓抑的事情。深受當代藝術之害，我完全不知道什么是美，怎么審美，這很難過。我只是努力的讓它安靜。我想，繪畫是一種圖示，或者是應該是一種圖示，運用它應該像運用文字一樣，有的人熱愛文字本身的美感，有的人熱愛文字透露的含義。那么，一幅畫應該只是一兩個字而已。
由于現實中我是說一大堆話完全說不到點子上的人，所以我創作的時候總是極其喜歡用一些簡單的方式堆砌沒有特定指向的形象。16年開始創作的“狀態系列”緣由于我對人物狀態的興趣。看到身邊某個人愣神，看著他盯著一個事物失神覺得好神奇，他可能嘴角上翹、撅著嘴，我覺得他的思維沖出了身體，那一刻，他的思維一定是特別自由的，但是身體卻被“施了定身法”。因此我開始了嘗試將給不同狀態的人“施法”，使其禁聲。
“需要系列”是在某一段工作中對自己的鼓勵。當時想如果藝術在生活中還有用的話，最起碼應該講道理吧。
Gal.la Uriol Jané (Barcelona 1978), lives between Barcelona and Berlin, a city she discovered in 2001 as a result of her exchange at the Universität der Kunst, in George Baselitz’s class.
In 2003 he graduated in Fine Arts at the University of Barcelona in the specialty of painting and in 2006 he made the final project of studies, specialty of arts and theory, at the school of design Eina.
Gal.la Uriol Jané is a painter committed and intrigued to find the right way to express an idea, aware of the fragility of this process that is reflected in the unstable materials it uses. His work is the result of an existentialist interest to understand and live all that surrounds us and we are. Play and turn the meanings, respecting the mysteries. From the most banal and everyday questions how we build our world? How do we represent? What is identity? How can we know? What is gender? What is pain?
Gal.la Uriol Jané invites the viewer to constantly jump of scale, structure and material, confronting it with models, objects, representations of the universe, of man or of certain forces that act at a molecular level, to enter a more ethereal and metaphysical terrain, and from this place, unstable and confused, keep questioning things.
《三個中國女孩》，粘土雕塑*3，3 * 25厘米 * 5厘米
Education
Fulbright Scholarship, Vienna, Austria
Installation Art, Masters of Art and Science, University of Applied Arts, Vienna, 2015- 2016
School of the Art Institute of Chicago, Chicago, IL
Masters of Fine Arts, May 2015
Maryland Institute College of Art, Baltimore, MD
Post-Baccalaureate Certificate in Fine Arts, May 2012
University of Virginia, Charlottesville, VA
Bachelor of Arts in Studio Art, Bachelor of Arts History, Minor in Art History, May 2009
Solo and Two Person Exhibitions
2018
Variations on a Theme, Merion Hall Gallery, St. Joseph’s University, Philadelphia, PA
Transmigration, with Anne Stagg, Curfman Gallery, Colorado State University, Fort Collins, CO
2017
Biomimikry, Staatliches Naturhistorisches Museum, Braunschweig, Germany
2016
Encoded Elucidations, Museumsquartier, Vienna, Austria
2014
Cutaway: An Artistic Dissection of Science, with Katie Vota, Paperish Mess, Chicago, IL
Awards/Grants/Residencies
2019
Shangyuan Museum Artist in Residence, Beijing, China
2018
Artist in Residence, KulturKontakt Austria, Vienna, Austria
Artist Residency, fee supported, BARTR, Budapest, Hungary Finalist, Meyer Family Award for Contemporary Art, Mainline Art Center, Haverford, PA
2017
Peripheral Visions Publication Fellowship, Peripheral Vision Arts, Dallas, TX
First Place, 30th Annual Women’s Works, Old Court House Art Center, Woodstock, IL
2016-17
Braunschweig Projects International Artist Scholarship, awarded by the Ministry of Science and Culture from the State of Lower-Saxony, Germany
2015-16
Fulbright Scholarship Research Grant for Installation Art, Vienna, Austria
Statement:
Last winter I visited Pripyat, the ghost town closest to the site of the Chernobyl nuclear disaster, where over the past thirty years nature that was destroyed by human hubris and incompetence has grown up to dominate the abandoned man-made structures. Although created in an intimate scale and presented in a whimsical fashion, using embroidered floral and plant motifs often pejoratively ascribed to the realms of “decorative art” or “craft”, on closer examination the implications become more sinister. As plants seemingly grow uncontrollably through the buildings and streets, people are either absent from or oblivious to the situation. Viewers are left to wonder about this change in dynamic, what preceded it, and what can prevent it. The resulting works exist in an ambiguous space: a drastic shift has clearly occurred, but nature has fought back and perhaps a new balance has been reached.
何家明，1984年出生于中國廣東，自由職業藝術家，現生活工作于北京。
He Jiaming, born in 1984 in guangdong China, freelance artist, now is working and living in Beijing.
明燈上傾斜的月光，布面油畫，120cmX150cm，2016
后白月(原筆名白月)，70后詩人。中國作家協會會員。獲第八屆臺灣薛林青年詩歌獎；巴蜀青年文學獎。曾出席全國第七屆青創會。參加《詩刊》第31屆“青春詩會”。魯迅文學院第31屆青年作家高研班學員。著有詩集三部。現居重慶。
Hou Baiyue (previous penname Baiyue), the poetess born in 1970s and member of China Writers Association, won the 8th Taiwan Xue Lin Youth Poetry Award and Bashu Youth Literature Prize. She once attended the 7th National Youth Literary Creation Conference and participated in the 31st Youth Poetry Conference of 《Poetry Periodical》. She was a student of the 31st Advanced Research Class for young writers in Lu Xun Literature College. She is the author of three poetry anthologies and lives in Chongqing at present.
詩歌作品：
情人
我們相同。相愛。
我們的愛相同。
我們親密如我是你親生。
我們疏離，如親生父女。
把我嫁出去吧。
月亮
我永遠得不到的一根骨頭
我體內一直缺少的一根骨頭
幽默的黑夜
嘲笑我的空洞：可以安置一所教堂
我心不跟任何人開玩笑
她披黑紗，像一個修女走過
在深夜的長廊里
我去倒最后的垃圾：此時。如果
快樂并不想留下什么
我突然感到世界很干凈。絕望那樣干凈
廢墟之上
我愛這舊址比新居更甚
我愛亂草的折腰比白云的高挑更甚
我愛玻璃碎片比海平面更甚
我愛這深深嵌進腳印的淤泥比花崗巖更甚
我愛上了欲說還休的窗戶
蜘蛛終于有恃無恐
我愛朽木回歸塵埃的義無反顧。看見螞蟻
我不再心慌
勞動者在哪里都是勞動者
我的觀察還可以再低下去
我愛這些瓦礫下的蟲子
心是放大鏡，我看見它們大過了我
但天還是由我頂著
我愛我赤裸的雙足，踏在紅磚上
火焰撫摸著腳心。我愛這冰冷的紅
我愛這徹底的冷漠和放棄
再也沒有重建的可能
國有圓明園，我有無名的廢墟
Exhibitions:
2017 103rd Annual School of Visual Arts Student Exhibition (Juror’s Choice Award), Norman, Oklahoma
2017 MFA Thesis Exhibition, Norman, Oklahoma
2016 Firebird from the Ballets Exhibition, Norman, Oklahoma
2016 MFA Inclusive Exhibition, Norman, Oklahoma
2016 It’s Liquid Experimental Video and Performance Art Festival, Rome, Italy (Selected)
2016 102nd Annual School of Art and Art History Student Exhibition, Norman, Oklahoma
2016 Erratic Fieldwork: Doing Art and Art History in the Anthropocene, Norman, Oklahoma
2015 Instances of Time + Points in Space, Norman, Oklahoma
2015 MFA Inclusive Exhibition, Norman, Oklahoma
2014 MFA Inclusive Exhibition, Norman, Oklahoma
A tour at the the North Pole City on 12.22.2016 (4201 South Interstate 44 Service Rd, Oklahoma City, OK 73119), A comic book of America series, iPad illustration, 12’x18’, 2017
At a toy shop, A comic book of America series, iPad illustration, 12’x18’, 2018
I-35, A comic book of America series, iPad illustration, 12’x18’, 2017
Opening night, A comic book of America series, iPad illustration, 12’x18’, 2017
Stop at the traffic lights, A comic book of America series, iPad illustration, 12’x18’, 2018
Walmart at night, A comic book of America series, iPad illustration, 12’x18’, 2018
My current practice engages with the overlapping cycles of construction, deconstruction, and reconstruction - human systems that become knotted together as they slowly interweave into nature. My project beginning 4 years ago, Darkhouses, examines the roles involved and the peculiar spaces and situations that both perpetuate and are created by these patterns.
For my process, I have gathered displaced building and decorating materials from a variety of locations - tile showrooms, building sites, skips, the eroding Norfolk coastline or the transient streets of Beijing. Once I have enough materials, I investigate their function as ready-made objects with their location in mind, by placing them together in newly devised scenarios.
RESUME
Studies
2014-2018 Bachelor of Arts, University of Basque Country (Leioa)
Addistional Studies
2018 BILBAO ARTE "Taller heterotextil" Textile workshop imparted by Malús Arbide and Beruta. (Bilbao)
2018 BILBAO ARTE "The political in the poetical" Experimental video workshop imparted by Rachel Monosov and Vera Rosa Maria. (Bilbao)
2018 TABAKALERA "Taller para artistas" Artist workshop imparted by Itziar Okariz and Jon Mikel Euba. (San Sebastian)
2018 UPV-EHU "Redonda Cuna" Sculpture workshop imparted by Elena Aitzkoa (Leioa)
2017 "Laboratorio Risografía" Risography workshop imparted by Another Press (Bilbao)
2017 UPV-EHU Textile screen printing course imparted by Jaime Cruz (Leioa)
Residencies
2015 Association Saint Henri (Portet-sur-Garonne, France)
Exhibitions
2018 GALERIA AIRE "Keak (lur hartu) du" collective exhibition (Bilbao)
2018 BIZKAIA ARETOA final degree project collective exhibition (Bilbao)
2018 "Ohete" Graphic, sound an audiovisual desktop publishing festival with the collective "si tu mare no me quiere tampoco la quiero yo" (Bilbao)
2017 FIG BILBAO International Festival of Engrving and art on paper "Cebolla" group exhibition. (Euskalduna Jauregia, Bilbao)
2017 GETXO ARTE Laboratory program of risography "Cebolla" group exhibition (Bilbao)
2016 ASSOCIATION SAINT HENRI Selection of work por auction (Portet-sur-Garonne, France)
Paula, 162x99 cm, Oil painting onfabric
Statement:
I’ve seenmyself modeling shoulders of mud at the height of my shoulders. I’m going topaint a person of my size, when I paint her shoulders, I will paint mine, and Iwill have to crouch at my feet to paint her feet.
作品介紹:
一面墻，腐蝕中生長，意念的天空，任欲望涂抹，把傷痕獻給了自由。
自我簡介:
游走在繪畫攝影，音樂和文學交界領地，曾在東西方多個國家地區生活創作，主題滲入人類深層的文化符號和潛意識領域，尋找藝術原動生命力。
Introduction:
A wall, growing while erodes, in the sky of consciousness, wherever desires reach, scars are dedicated for freedom.
Self-Introduction:
Walk the boundaries of Painting, photography, music and literature. Live and create art works in many regions and countries. Delve into the deep cultural symbols, and the subconscious of human beings, searching for the soul and eternal source power of arts.
名稱:《墻》 尺寸: 80/50厘米 材料: 攝影微噴
Title: Wall; Artist: Lee Yun; Size: 80/50cm; Medium: photography
1985年生，湖南人，藝術工作者，愛好藝術、哲學、運動，更熱愛生活。
《小鳥編織了一個夢之七》 50cm X 60cm 布面綜合材料 2019年
我們生活在一個巨大的網絡里，從宇宙萬物之間的關聯到個人生活中的羈絆，我們就如一只小鳥，夢想著飛翔在廣闊的天空，浩瀚的星際。這夢想在生命成長的過程中，被一點一點編織，交集成生活的模樣。
個人簡介
宓赫言 青年藝術家現居北京
畢業于青島理工大學繪畫系
2018—2019年上苑藝術館駐館藝術家
參展經歷
2015年參加《最為來|第二屆天泰新銳藝術獎》 青島天泰美術館
2018年參加《上苑藝術館駐留藝術家開幕展》 北京上苑藝術館
2018年參加《上苑藝術館2018“國際創作計劃”年展》 北京上苑藝術館
個展經歷
2018年9月《贖》——宓赫言個展 北京上苑藝術館
《當你體驗平庸之惡2》創作年份2018 尺寸100x80cm 創作者 宓赫言 材質 布面油畫
莫籽（Mos），1986年生人。
2015年畢業于廣州美術學院城市學院油畫專業，作品《惑》（原名《我有病》）系列獲廣美城院畢業匯報展優秀畢業創作。
2016年聽從內心的呼喚，到西藏并投入當地兒童美術教育工作。
2017年作品《三月》入選"喜迎十九大雪域情第二屆西藏油畫展"。
2018年作品《〇〇》《百合》入選第七屆大學生藝術博覽會。
2018年作品《〇九》入選FRONT前研 [意視界-2018全國當代繪畫作品展]。
2019年駐留上苑藝術館并進行創作至今。
Mos, born in 1986.
I graduated from the oil painting major of city college of guangzhou academy of fine arts in 2015. My works confused (formerly named "I am sick") won the excellent graduation work in the graduation report exhibition of guangmei city college.
In 2016, I followed the call of my heart and went to Tibet and engaged in the art education for local children.
In 2017, "march" was selected as the second Tibet oil painting exhibition at the 19th national snow area.
In 2018, "" 〇〇" "and" "lily" "were selected to the 7th college students art fair.
In 2018, my work "〇九" was selected into FRONT qianyan [Italian vision -2018 national contemporary painting works exhibition].
In 2019, he resided in shangyuan art museum and created works till now.
《20160503》，40×50cm，布面油彩，莫籽
《20160505》，40×50cm，布面油彩，莫籽
簡歷
1984 生于湖北省黃岡市
2007 畢業于佳木斯大學美術學院
中韓美術交流協會會員
佳木斯市美術協會會員
現居廣州
展覽
2014
♦“體向”——第二回展，廣州
♦“體向”——秦姣姣繪畫作品展，北京
♦ 2014阿聯酋迪拜中國名家藝術展，迪拜
♦ 微景致：上苑藝術家作品邀請展，北京
♦ 哇噻兒藝術展063——秦姣姣作品展，網絡平臺
2008
♦ 99 個帳篷，99 個夢想——藝術北京 左右藝術區外圍展，北京
♦ 2008深呼吸 - 中國當代油畫聯展，北京
♦“嬌素線”三人作品展，北京
2007
♦“黃阿線,胡綺素,秦姣姣”三人作品展，北京
♦ 中國藝術節青年展，德國
♦ 環鐵廟會，北京
♦ 99 個帳篷，99 個夢想——藝術北京 左右藝術區外圍展，北京
♦“汝夢令”——秦姣姣油畫創作展，黑龍江
2006
♦ 秦姣姣個人油畫展，黑龍江
1984 Born in Huanggang City in Hubei Province，China
2006 Jiamusi Art Association Member
2007 Graduated form the University of Fine Arts in Jiamusi
China and Korea Art Association Member
Living and working in Guangzhou
Exhibition
2014
Artistic conception——Chinese 2014 Dubai Art Exhibition,Dubai
“The direction of the body”----The solo exhibition by Qin Jiaojiao，Beijing
Breeze/Landscape: Invitation & Exhibition of Shangyuan Artists，Beijing
2008
99tents, 99dreams——About artistic Beijing the artistic area periphery untolds，Beijing.
Deep Breath--Chinese Modern Oil Painting Exhibitions.
2007
“The dream of greatness ”the oil painting art show by Qinjiaojiao ，Heilongjiang.
The China art festival youth unfolds，Germany.
Link iron temple fair，Beijing.
99tents, 99dreams——About artistic Beijing the artistic area periphery untolds，Beijing.
2006
“The oil painting exhibition by Qinjiaojiao”，Heilongjiang.
2005
Jiamusi University, “the commentary-cup”literature and art exhibition，Heilongjiang.
2004
Jiamusi Folk Art exhibition，Heilongjiang.
體向系列之103-50x60cm-丙烯-2014-秦姣姣
體向系列之96-50x60cm-丙烯-2014-秦姣姣
尺寸：60*80 材質：布面油畫 作品名稱：《站立》
尺寸：60*80 材質：布面油畫 作品名稱：《白色的禮帽》
1994年出生于海南島
2014年—2018年 華南師范大學美術學院油畫專業 本科
2018年—至今 華南師范大學美術學院現代藝術與理論研究專業讀研 碩士 師從石磊教授
作品參展獲獎經歷：
2016 第十屆廣東省大中專學生校園文體藝術節“一等獎”，廣東省文化廳
2016 東莞市繪畫創作大賽作品展 銅獎，塘廈城市展覽館，東莞
2016 “第二屆（在路上）中國油畫寫生作品展，本溪市博物館，本溪市
2016 廣東省高校藝術創作互聯網大賽優秀獎，葫蘆藝術，廣州
2016 第十四屆海南省青年美術作品展，海南大學美術館，海口
2016 “廣東畫家筆下的世界”作品展，廣東省文聯美術館，廣州
2016 第三屆中山當代油畫藝術展，三鄉圖書館，中山
2016 溢彩流光——2016年廣州油畫創作展，越秀區文化館，廣州
2017 首屆大學生自媒體創新項目美術作品展，吉林省圖書館，吉林
2017 山西省花鳥話作品展，太原美術館，太原
2017 首屆東南風福建省青年油畫作品展，中國油畫院美術館，北京
2017 第三屆云南油畫學會作品展，艾維美術館，昆明
2017 第六屆安徽省美術作品大展，銅陵美術館，安徽
2017 安徽首屆國際當代藝術作品展，六安茶故主題公園，六安
2017 慶祝香港回歸祖國20周年安徽美術作品展，安徽文聯美術館，合肥
2017 內蒙古水彩粉畫作品展，內蒙古美術館，內蒙古
2017 包頭市油畫進京作品展，中國油畫院美術館，北京
2017 第四屆山西省青年美術作品展，山西美術館，太原
2018 第十五屆海南省青年美術作品展，喜盈門美術館，海口
2018 第二屆安徽裕安國際當代藝術作品展，六安瓜片體驗館，六安
2018 第三屆海南省藝術節-全省優秀美術作品展，海南省人民政府
王峰 《歡愉的世界之一》 布面油畫 170x185cm
1993年出生于青島·青年藝術家·現居北京
展覽經歷：
2012“中韓俄師生交流作品展”
2013“籠沙第二回作品展”群展
2013“熙藝術空間”群展（北京三里屯）
2014“繪畫的O度”個人展（吉林延吉）
2015“作家的熱情”群展（吉林長春）
2016“韓國 Asia andRice油畫作品展”
2017“浪尖頭壹品藝術空間”（上海）
2017“第五屆亞洲青年藝術家提名展”（水立方美術館）
2017“唯心維新—山東省首屆綜合繪畫提名展”
2018“第二件作品”個人展 (北京C+SPACE畫廊 )
2018“意向世界多彩中國”國際作品收藏展（北京、意大利）
2018“藝術大會作品展”（北京會空間）
2018“中韓文化藝術邀請交流展”（吉林延吉）
2018“首屆新當代抽象藝術展”（北京）
2019“當代藝術金雞獎”（北京）
Born in Qingdao in 1993, young artist, now living in Beijing
Exhibition experience:
2012 “China-Korea Russian Teacher and Student Exchange Exhibition”
2013 “Changsha Second Exhibition” Group Exhibition
2013 “Xi Art Space” Group Exhibition (Beijing Sanlitun)
2014 "O-degree of Painting" Solo Exhibition (Jilin Yanji)
2015 "Writer’s Passion" Group Exhibition (Jilin Changchun)
2016 “Korea Asia andRice Oil Painting Exhibition”
2017 “Langjiantou Art Space” (Shanghai)
2017 “The 5th Asian Young Artists Nomination Exhibition” (Water Cube Art Museum)
2017 “Imperial Renewal—Shandong Province First Comprehensive Painting Nomination Exhibition”
2018 "Second Work" Solo Exhibition (Beijing C+SPACE Gallery)
2018 "Intention to the World Colorful China" International Works Collection Exhibition (Beijing, Italy)
2018 "Art Exhibition" (Beijing Conference Space)
2018 "Invitation and Exchange Exhibition of Chinese and Korean Culture and Art" (Jilin Yanji)
2018 “The First New Contemporary Abstract Art Exhibition” (Beijing)
2019 "Golden Chicken Award for Contemporary Art" (Beijing)
《…》100x100cm 布面綜合 王海超 2018
《…》100x100cm 布面綜合 王海超 2018
作品名稱：主角，作品材質：裝置，作品時間：2018
局部
1987出生于河南焦作
2013年畢業于廣西藝術學院美術學院水彩系 學士學位
2016年畢業于廣西藝術學院美術學院水彩系 碩士學位
2016年至今 受聘于廣西藝術學院美術學院
一個演員朋友 28 布面丙烯 100X100cm 2018年
藝術簡歷
1971年生于浙江浦江，現居杭州、浦江，畢業于美術報周韶華新水墨工作室。學者、獨立藝術家。著有藝術史專著《非常中國繪畫史》《非常道——道教的演變及其對中國文藝的影響》。藝術實踐致力于世界文化語境下的中國藝術轉型，以個性化的當代語言闡發東方文化的核心精神，作品多次參加捷克布拉格、北京、上海、廈門、杭州、唐山、威海等地舉辦的國際、國內學術展覽。
Arts resume
Born in Pujiang, Zhejiang Province in 1971, currently lives in Hangzhou and Pujiang, and graduated from zhoushaohua’s new ink studio. Scholar, independent artist. He is the author of the monograph " Unusual Chinese Painting History" and " Unusual Taoism-The Evolution of Taoism and Its Impact on Chinese Literature and Art." The practice of art is committed to the transformation of Chinese art in the context of world culture, and the core spirit of Oriental culture is expounded in a personalized and contemporary language. His works have participated in international and domestic academic exhibitions held in Prague, Beijing, Shanghai, Xiamen, Hangzhou, Tangshan, Weihai and other places.
《放下》56cmx80cm 紙本手繪
一念放下，萬般從容。放下金錢、名利的誘惑，不以物喜，不以己悲，以平常心待人處事。通過最簡潔樸實的手工線條，表達無欲無求的生活方式及淡泊寧靜的生命狀態，從最平凡的日常生活中品味人生的快樂。如同禪宗高僧，從伐竹、擔水、掃地等日常生活中禪修悟道。
Put down
One thought put down, like a calm. Put down the temptation of money, fame and fortune, not to enjoy things, not to be sad, to treat people as normal. Through the most simple and simple manual lines, express the life style of no desire and no desire and the quiet state of life, taste the happiness of life from the most ordinary daily life. Like Zen monks, they practice meditation from daily life such as cutting bamboo, carrying water, and sweeping the floor.
《印象江南》56cmx80cm 紙本手繪
江南的春天，桃紅柳綠，鶯飛草長，溫柔而美好。作者以簡潔的線條，抽象的表現方式，描繪如詩如畫的家園。
Impression of Jiangnan
Spring in the south of the Yangtze River, peach red willow green, bird fly and grass grow, gentle and beautiful. The author depicts the picturesque homeland with concise lines and abstract expressions.
個人簡介：
藝術家炫名，在精神失常時找到了藝術，在愛的追求中創立了Apm數學定理， 曾身無分文地流浪過，也曾為心中的繆斯而去到成都并在那里生活了四年。在2016年，他的書《漂·繹：一個藝術家的瘋狂、性、藝術與哲學》出版，講述其故事、油畫、詩作和哲學。至今他已在東莞、成都、廣州、深圳、歐洲等地舉辦過各種個人展覽及藝術活動。
炫名的作品涉及人生、哲學、性、宗教等元素，而最為突出的是其對數學的涉及。在他的畫中總能發現與數學、密碼相關的特性，在這部分畫中，他把自己創立的Apm定理融入其中，因而沒有過多的隨機。每一個符號、幾何圖形的構成、甚至物象和線條的位置和顏色的選擇都是一套經過數學處理的密碼，而里面則隱含著一些被遺忘的信息。如同一張尋寶地圖般訴說著一個隱蔽的故事。他的畫所涉及的主題：數學、哲學、物理、宗教和性，都在以各自的方式——邏輯、思辨、探索、信仰與感受——企圖闡述人生與宇宙的奧秘以求找到可能的真理，而這也是炫名的藝術之路，在未知的深究中不斷前行。
Artist Pamviles found art when he suffered from a mental break at 18, ever since then art has become part of his life. For 4 years living in Chengdu he exhibited in many places and participated many art activities, including two solo exhibitions and published his book which is about his stories, paintings, poetry and philosophy. So far he has exhibited in Dongguan, Chengdu, Guangzhou, Shenzhen, Europe and many other places.
His paintings are related to life, sex, religion, mathematics, philosophy and many other subjects. He created a mathematical theorem (Apm Theorem) when he was 20 and he combines it with his paintings too. So in the latest paintings that he created, he combined art with math, using the codes he created to hide information within the paintings, it’s like a map trying to tell a hidden story.
2018.06 造物·形體 Creation•The Shape 80x120cm 布面油畫
2019.04 平行世界 Parallel Universe 50x70cm 綜合材料
個人簡介
湖北麻城人，湖北美術學院在讀，師從曹丹教授。
《行—跡》2016年 莞城美術館與廣美學術交流展
《詩》2017年入選第十三屆武漢美術作品展
《佛》、《牧民》2017年入選山西第十八屆水彩畫作品展
《睡著的旅客》2018年 學院的精神"——中國(義烏)文交會全國獨立設置美院研究生作品展"
《烈士紀念碑》 2018年 入選“畫說麻城”——2018年湖北省美術作品展
《景語》 2018年 入選第三屆學院空間作品展
《老者》 2018年 入選山西第五屆小幅水彩寫生作品展
《誰先出頭就先削誰？》 《以和為貴》 入選 “東方來信”——2018Inter-Youth 國際高等藝術學院青年繪畫展
《O系列》 2019年 入選 “采菊” - 南山社&Fake Project & 關中藝術合作社
Personal profile
From Hubei Macheng
Graduate student of Hubei Academy of Fine Arts, under the tutelage of Professor Caodan.
"Walk-Trail 2016 Guancheng Art Museum and Guangmei Academic Exchange Exhibition
"Poetry" was selected for the 13th Wuhan Art Exhibition in 2017
"Buddha" and "Herdsman" were selected for the 18th Watercolor Painting Exhibition in Shanxi in 2017
"The Spirit of Sleeping Traveler" 2018 College "-China(Yiwu) Wen Fair National Independent Institute Graduate Exhibition"
"Martyrs Monument" selected in 2018 "Painting said Macheng" -- 2018 Hubei Provincial Art Exhibition
"Jing Yu" was selected as the third college space exhibition in 2018
"Old Man" was selected as the fifth small watercolor painting exhibition in Shanxi in 2018
"Who is the first to cut who first? "Taking Peace as Your Value" was selected as "Letter from the East"-2018 Inter-Youth International Academy of Higher Arts Youth Painting Exhibition
"O Series" was selected as "Caiju" in 2019-Nanshan Club & Fake Project & Guanzhong Art Cooperative
物語3 73X55cm 紙本綜合
物語4 73X55cm 紙本綜合
作品闡釋：“越模糊，越真實。”在不斷的涂抹覆蓋過程中，畫面上的形逐漸消失，取而代之的是一個全新的差不多都沒有的“形”。這一系列作品，整體色調偏冷，畫面陰郁冷清、暗沉，似乎像是在訴說什么，又像在回避什么一樣。我是一個矛盾的人，當畫面逐漸完整的時候，我卻開始“破壞”畫面。在不停的破壞過程中，直到最后盡量找到一個合適的平衡點才終止。生活中不是所有的事情都是一帆風順的，當遇到逆境時，人的本性是逃避，但是逃避又解決不了問題。問題還在那里，終究還是得處理的，因此總得找個權衡之計。繪畫如此，生活亦如此。無數的線條的涂抹和疊加，既豐富了層次，又削解了內容，使得畫面具有了一種難以言語的神秘感。我向往這種神秘感。
作者簡歷：楊先平，畢業于四川美術學院，中國藝術研究院訪問學者，教授。
作品評述：近年來主要采用綜合材料進行藝術探索。我的作品上佛像符號的形成類似拓印漢代畫像石、畫像磚，不斷的重復這些拓印的佛像，意義是在不斷重復繪制雕刻的過程中緩慢展現出來，這個過程很重要，隨著時間的流逝，心緒的變化，生成的圖像變化萬千，或濃或淡、或清或濁、排列出一個萬象世界。
《佛影.心跡1》140x85cm 綜合材料 2016
《佛影.心跡4》100x40cm 綜合材料 2017
1992年生于福建泉州
Born in 1992 in Fujian province, China
展覽：
2015年 春天來了II——10cm3 - 江蘇杭州三尚美術館
2018年 上苑藝術館駐留藝術家開館展 - 北京上苑藝術館
她 .女性藝術節 - 北京上苑當代美術館
“磨磚”第三屆長城之巔藝術展 - 河北遵化大石峪長城/恩來美術館
個展：
2018年9月15日 簡靈 — 詹明昭個展 - 北京上苑藝術館
《706RMB》詹明昭29x40cm綜合材料2019
《706RMB—1》詹明昭22x27cm綜合材料2019
《生門》詹明昭169x220cm綜合材料2019
局部1《生門》詹明昭169x220cm綜合材料2019
局部2《生門》詹明昭169x220cm綜合材料2019
局部3《生門》詹明昭169x220cm綜合材料2019
《706RMB》在一個偶然，剛過完年回去工作的第一天，整個人還沒有從老家的那種氛圍中抽離，滿腦子都是催婚式的洗腦跟游說。突然在最熟悉的操作臺，我失誤的把自己的手指劃破了，我沒想去包扎，但是血流不停，就找了個診所處理傷口，莫名心疼的花了706元。
《生門》沒有性生活像一種修行，你在街上走著走著，天上都能落個寂寞砸到你頭上，當下因為重男輕女導致的有三千多萬的男人找不到配偶，拜金現實思想蒙蔽世人，生活成本教育成本過高，生育率越來越低，整個國家在不斷變老，新的生命力越來越少，我們何去何從.......
教育背景：
2015本科畢業于復旦大學上海視覺藝術學院
2017-2018年就讀于英國皇家藝術學院
參展及獲獎經歷：
2015年中國獨立影像展
2015年“亞洲視野AMNUA國際影像論壇兼特別展映”
2015年《教學的力量－中國當代藝術教學的十一個個案》
2016年“江南敘事之青年表達－－個性的兩極藝術展”
2016“中國隆里國際新媒體藝術節”
2016年“第八屆紐約大學真實中國雙年展”
2016年深圳獨立動畫雙年展－《時間 無間》
2016年中國獨立影像年度展在中央美術學院
2017年“教學相長”－第三屆學院實驗藝術文獻展
2017年“好奇柜－魔都首屆博物藝術展”
2018年北京國際短片聯展
2018上海野餐藝術節
2015年影像作品《食品加工廠》獲得中國獨立影響展“前衛精神獎”
2018年影像作品《馬圈》獲得iArt青年藝術計劃一等獎
Education Background
2017-2018 Royal College of Art
Programme: Moving Image (CAP)
2011-2015 Shanghai Institute of Visual Art, Fudan University
Programme: Digital Media Art under Department of Fine Arts
Awards and Exhibitions
2018 Guest Artist Beijing International Short Film Festival, Beijing, China
2018 Guest Artist Picnic art festival, Qiao Space, Shanghai, China
2018 Guest Artist I Art Youth Project, Yuan Museum, Chongqing, China
2017 Guest Artist Cabinet of Curiosities, Duo Yun Xuan Art Centre, Shanghai, China
2016 Guest Artist The 1st Shanghai Cult culture exhibition, Shanghai, China
2016 Guest Artist Time Based, Non-Places, The 3rd Shenzhen Independent Animation Biennale, Shenzhen, China
2016 Guest Artist Reel China , New York
2015 Guest Artist Power of Teaching Shanghai Himalayas Museum
2015 Participant University Anniversary Exhibition
2015 Top 10 Experimental Image Unit China Independent Film Festival
2015 Award of Avant-grade Spirit Nanjing Independent Film Festival
2018 First Prize, I Art Youth Project
《媽媽》劇照 數碼影像 尺寸可變 （1）
《媽媽》劇照 數碼影像 尺寸可變 （2）
《媽媽》劇照 數碼影像 尺寸可變 （3）
《媽媽》劇照 數碼影像 尺寸可變 （4）
《媽媽》劇照 數碼影像 尺寸可變 （5）
《媽媽》劇照 數碼影像 尺寸可變 （6）
《媽媽》劇照 數碼影像 尺寸可變 （7）
《媽媽》
數碼影像 尺寸可變（根據場地情況使用投影儀進行放映展示）
時長：17分40秒
作品闡釋：
《媽媽》源于我的個人經歷，是我對愛情、親情、以及母子之間的糾葛的理解。
個人簡歷:
1999年畢業于湖南師范大學美術學院中國畫專業，獲學士學位
2006年畢業于湖南師范大學美術學院工筆花鳥畫專業，獲碩士學位
現任教于中南大學建筑與藝術學院，生活和工作在長沙。
Name:Zhou Qiaoyun,Female.
Date of Birth:Dec 20,1974.
Place of Birth:Hunan,China.
Educational Background:
1,1999- Graduated from the Academy of Fine Arts of Hunan Normal University, majored in Chinese Painting, BA.
2,2006-Graduated from the Academy of Fine Arts of Hunan Normal University, majored in Meticulous flowers-and-birds painting, MA.
Current Job:Teaches at college of Art and Architecture of Central South University.
Current lives & works Address:Beijing and Changsha in China.
作品簡介 :
《三十六度九》系列作品的創作，是作者在不惑的年齡，在一個心力憔悴身體不堪負荷頻頻發出警告的狀態里，用一種類似修行的方式來將自己拉回到一種日常中的平常，每天在宣紙上渲染覆蓋上一遍薄薄淡淡的顏色，待干之后再覆蓋上同一種顏色，一遍又一遍的層層渲染，是時間在生命中的映射，其間夾雜著工作學習生活瑣事等等感受。
很多女性藝術家的生命狀態都是被裹挾在工作、家庭和藝術之間。在平和安靜的時候伴著舒緩的音樂勾勒線條，將自己融進每一根線條的走向里，形成一種自我壓縮的生活狀態，也映照著自我的人生狀態。作品中女性生命年輪在一遍又一遍看似無意實為有意的流淌中增添著生命年輪的厚度。
Introduction
Works of thirty-six degrees nine set was produced at the unconfused age of author and in a condition that he was mentally and physically exhausted and was badly warned so many times, she used a way similarly like practice Buddhism to push himself to a normal life, and he colored and covered a layer filmy and light color in rice papers every day, After it was dry, and covered the same color and exaggerate it again and again, which was a reflect of life, and work, study, the things of life and other feelings were mingled with them.
Life conditions of many female artists were coerced between work, families and art. They sketched lines and made themselves melt into every line’s trend in the peaceful and quiet moment with soft music, which became a self-compressed life condition and also reflect the state of life of themselves . females’ life growth ring in works was increasing the growth ring’s thickness of life again and again in the seemingly unintentional but actually intended flowing.
三十六度九0306 ，58cmX58cm ， 紙本設色，2016年
三十六度九0202 58cmX73cm 紙本水墨 2017年
查看5291次
|
|
