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【現場】漸漸 Red <Augmented Red> | 邢世潾（韓國）個展
[2018-10-23 12:54:51]
【現場】漸漸 Red <Augmented Red> | 邢世潾（韓國）個展
Seirin Hyung Solo Exhibition
策展人：李念奴
學術主持：程小蓓
藝術家：邢世潾（韓國）
開幕時間：2018年10月25日16：30
展期：2018年10月25日至31日
展覽地點：中國 北京 上苑藝術館 A4工作室
主辦：上苑藝術館
Curator: Li Niannu
Academic Host: Cheng Xiaobei
Artist: Seirin Hyung (South Korea)
Opening: 16:30, Oct, 25th, 2018
Period: Oct, 25th to 31th, 2018
Venue: Shangyuan Art Museum, Space A4, Beijing, China
Organizer: Shangyuan Art Museum.
前言
異鄉·異相
作為一位初次來到中國的韓國女孩，藝術家Seirin的中國印象不可避免地有一種異鄉人的疏離感，充滿驚奇，困惑和不安，還有一種類似夢境的恍惚，游移與不確定，這些氣息彌漫于她的畫面和講述之中，構成了這批作品的基調和主題。 Seirin說她來到中國看到了太多的紅，我覺得她非常準確地抓住了這個國家的一個外在特征，并把它作為自己這組作品的主色調，從而使作品的語言更清晰，更有針對性和感染力，也使主題更突出。與真正的中國紅相比，她用了粉紅和熒光紅來表達自己的感覺，使作品具有了更濃厚的現代感。 Seirin這組作品以初來中國的所見及藝術館周邊環境為主要題材，但并非簡單的再現，畫面最終呈現的，是經她思索和改造后的外部世界，是陌生的環境與她個人的思維方式和藝術理念沖突后的結果。 Seirin特別強調環境和時代對人的異化作用，為此深感不安和無奈，她試圖抗拒和消解這種異化，這組繪畫和攝影作品就是她抗拒的方式之一，因此可以說，對于異化的講述和抗拒，也是她作品的主題之一
李念奴
作品選刊：
Reservoir study1
Reservoir study2
Reservoir study3
Reservoir study4
This is color practice 1.2.3.4 （上苑藝術館收藏)
Color Pallet documentation on Mosquito tablet
bus1 公共汽車1_40x53
bus2 公共汽車2_40x44
bus3 公共汽車3
Seirin Hyung CV
The color is one of the signifiers in my work. I wanted to look at that culture through the red color. Color can represent now, which contains the time, era, space, culture, and history of course. I proceeded the < 漸漸 Red; Augmented Red> project while I staying in Shangyuan Museum Artist Residency program. In this project, I had time to explore the relation between the specific place and myself.
I examined how figurative painting can function as a medium for visualizing emotions in this digital era. I focused on the ideas of fear, isolation, and anxieties that come from surroundings. In particular, they deal with a sense of alienation derived from modern digitalized society and culture. Neon and gradation of the color usually forms a background for the painting and is used as a motif to filter the visual information. At the same time, this technique allows me to express the notion of alienation and emptiness.
I aspire deceleration world. In this digitalized society, lots of things are changed and appeared so fast before adapted at this moment. Somehow, ‘Painting’ looks like the world I aspired.
EDUCATION:
2016 - 2017 Glasgow School of Art, MLitt Fine Art Practice, Painting, Glasgow, UK
2008 - 2014 Konkuk University, Contemporary Art, BFA, Seoul, Korea
2010 The exchange program at Satakunta University of Applied Sciences, Fine Art, Kankaanpaa , Finland
AWARDS/ RESIDENCY:
2018 Shangyuan Art Museum Artist Residency Program, Beijing, China
2018 Kunstnarhuset Messen Artist Residency Program, Ålvik, Norway
2017 Shortlisted (final judging), Mussini Oil Painting Competition, London, UK
2016 Dumfries house artist residency program, Ayrshire, UK
EXHIBITION:
solo exhibition
2018 <Iridescent Moment> Galleri Bokboden, Bergen, Norway
group exhibition
2017 <Drifting Corridors> Old Hairdressers, Glasgow, UK
2017 <Fields of Wheat> Transmission Gallery, Glasgow, UK
2017 <Glasgow School of Art Graduate Degree Show 2017> Tontine Building, Glasgow, UK
2017 <An Exhibition> Mackintosh Club, Helensburgh, UK
2017 <PORTAL_somewhere only we know> Savoy Centre, Glasgow, UK
2017 <Mixed Bag; contemporary art but not too contemporary> Art Centre & Theatre Aberdeen, Aberdeen, UK
2017 <Somewhere Far from Subject Itself> House for an Art Lover, Glasgow, UK
2016 < Deltiology> Six foot Gallery, Glasgow, UK
2018 Glasgow University Magazine, 2nd March 2018
2017 Forest Art Market, The forest café, Edinburgh, UK
2017 Fringe festival art market, House for an Art Lover, Glasgow, UK
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