前言
花園，諸多事件的發生地。作為現實花園，它是一種宇宙秩序的縮影，而身體，作為靈魂的花園，我們棲居在此。
人類棲居于自然，自然作為客觀存在是人類文明演進的發生現場，一個具有決定意義的承載體。一方面，自然本體的混沌無序，其作為一個有機整體的價值觀，與人類意識之初和內在靈性相連接。另一方面，自然被賦予了一種人文的價值判斷，即自然是真實世界的承載基礎，作為人類文明演進的發生地和發酵場，無數事件在這里上演。當代語境之下，自然、歷史、宗教、科學理性、社會/政治事件交織發生在這一時空場域中。他們建構于某種現實與虛擬的結構之上，或以一種模棱兩可的敘述方式展開，或以某種戲劇性的轉場而盤根錯節。趙涓涓的作品在自然現場發生的直接和間接的事件中進行“敘述”和“記錄”，再創造和重新定位事件的新視角、現實主義和愿景。
The garden is the spot of many events. As the garden of reality, it is the epitome of the cosmic order. Nevertheless, we dwell in our body, which is regarded as the garden of the soul.
Human being dwell in nature, as an objective existence, which is the site of the evolution of human civilization and a carrier with decisive significance. On the one hand, as an organic whole, the chaos and disorder of nature itself, has been connected with the source of human consciousness and internal spirituality. On the other hand, nature is endowed with a kind of humanistic value judgment, that is, nature is the basis of the real world, and as the spot and fermentation of human social development, numerous events come up here. In the context of contemporary times, nature, history, religion, scientific reason, social/political events interweave in the space-time field. They are constructed on some kind of physical and virtual structure, unfolding in an ambiguous way, or interweaving through a sort of dramatic transition. Zhao Juanjuan’s artworks "narrate" and "record" the events occurring in the site of nature directly and indirectly, reinventing and reorienting events with new perspectives, realism, and vision.
