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【現場】 “融” 末小末（中國） & Sara Ghahramani（伊朗）雙個展8日在上苑藝術館舉

[2017-10-6 11:34:28]

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【現場】 “融” 末小末（中國） & Sara Ghahramani（伊朗）雙個展8日在上苑藝術館舉辦

FUSE’double Exhibition by Xiaomo-Mo(China) & Sara Ghahramani (Iran) Held in Shangyuan Art Museum

藝術家| Artist：末小末（中國）Sara Ghahramani（伊朗）雙個展

開幕時間：2017年10月8日下午3：30

Opening: October 8th 2017 3:30 pm

展覽時間：2017年10月8日~ 2017年10月14日

Show time: October 8th 2017 - October 14th 2017

地點：北京懷柔區橋梓鎮沙峪口村上苑藝術館二號展廳

Venue: Shangyuan Art Museum, Qiaozi County, Huairou District, Beijing

主辦單位：北京上苑藝術館

Organizer: Shangyuan Art Museum

你躲在哪兒紙本水彩 2017 20x24cm（上苑藝術館收藏）

末小末自述:

有一天，陽光明媚，院子里臺階上落了一地樹葉和枝丫的陰影，我坐在這片灰黑色里，臉上、身上星星點點的布滿透過枝葉的罅隙落下的光，帶著一種不可抗拒的溫暖。光與樹在那一刻給了我最慷慨的饋贈，當微風吹起時，我知道，生命齒輪里那些茍且與不公都在那一瞬間飄散，起初它們是張牙舞爪的，漸漸的就沒了形狀，隨著風的方向，我甚至能看見它們和著楊樹葉的颯颯聲翩翩起舞直至無影無蹤。不知道那樣坐了多久，我若無其事的起身，假裝剛剛什么也沒有發生過，甚至沒有抖落裙子上的灰塵，回到畫架前拿起畫筆畫下了丑陋的怪獸，它們有會笑的眼睛，有虹一樣多彩的顏色，仿佛它們從沒有在我的生命內里猖狂肆意的吞噬一切美好的東西。當我停下畫筆，看著那流淌在紙上的線條和色彩，我知道，我擁有了與生命長河里的一切和解的能力。繪畫變成我生活的一部分，在當下里，記錄和感知周圍發生的一切。我不拘于具體的繪畫藝術形式，水是那陣突如其來又仿佛預謀已久的風，所有作品的產生在偶發性和情緒的必然呈現間達到一種平衡，這其實是一次次自我對話，在過程中我的心靈不斷的得到消解、重構，很高興，終于我不會因為水里的云和樹不是真的云和樹而感到悲傷。

Artist Statement

It is a sunny day. Light is slipping through the branches and leaves making mysterious shapes and faces on the ground. I sit on the stairs outside in the shadow of the tiny leaves in irresistible warmth. The light and the leaves give me the most generous gift. With the blowing breeze, for a moment, all the sorrows and unfairness go away. They move away along with the wind until I see no more than their faded trace. I don’t realize how long I have been sitting there but when I finally get up it is as if nothing has ever happened, I don’t even shake the dust off my dress. I go back to my easel, pick up the brush and start to paint the ugly monsters. My monsters will have smiling eyes and will be in the color of the rainbow. It seems as if there has never been in my life any heartache or misery.

When I stop painting I look at the flowing line of paint on the paper and I see everything in life goes along with the flow of the water and color. Painting becomes part of my life; it becomes a record of the past in the present. My painting becomes like the water full of accidents and emotions. It is a train of thoughts passing through my mind over and over until it reaches a balance, a balanced existence, which is achieved through replaying my life from the past up until now.

At last, I realize that the clouds and trees I see in the water are not real. They are just a reflection of the real, the same way as the monsters in my mind are not real. I believe the water like the wind can wash away the sorrows.

評述：

    小末的作品是她真實內心世界的反映，她為自己構建了一個足夠安全的地帶，并躲在其中宣泄著她對這個世界的焦慮、不安和困惑。那些獨特的、童稚的、或具象或抽象的圖案如實記錄著她在日常體驗和藝術實踐中探索和掙扎的痕跡。
     小末的作品也是詩性的，她以敏銳的感受力捕捉日常體驗中的各種偶然性，并以生動的想象力將其轉化和呈現。堅強陽光的“女強人”外表下棲居著一個柔弱纖細的少女和憂愁感性的詩人。
     人原初的純凈是貴如珍寶的，但更難能可貴的是在豐富的人生閱歷后，還能堅守著內在的單純和真誠，在迷霧中尋找出口，在黑暗中尋找光亮，小末無疑是這樣的一位藝術家。

龍姝

Xiaomo’s work is a reflection of her real inner world, she was built for himself a sufficient safety zone, and hide in the vent her anxiety, anxiety and confusion of the world.The unique, childish, or figurative or abstract designs faithfully record her exploration and struggle in the daily experience and art practice.

Xiaomo’s work is also a poetic, her everyday experience with keen sensibility to capture the various contingency, and to convert it and present vivid imagination.

Under the strong sunlight "superwoman" appearance inhabit a weak thin girl and grief sentimental poet.Person’s original purity is expensive as treasures, but more valuable is after the rich life experience, also can stick to the inner of pure and sincere, looking for export in the confusion, looking for light in the dark, at the end of the small is such an artist.

24x24系列之三紙本綜合 2017 21x28cm（上苑藝術館收藏）

Sara Ghahramani 自述：

“我的方式是引導創造一個全新視角的世界，我將以這種新的方式給你解釋這個世界�！�

"Dziga Vertov"

通過挑戰抽象和表征的邊界，我研究從主題到繪畫形象的轉變，從電影的各種源材料中收集圖像，進行再創作并且和生活的場景產生聯結。
我的作品包括頻繁的改變，通過這些改變，我將創意的創作敘述到畫中。覆蓋、恢復、繪畫和報廢，每幅畫的起點隱藏在畫面層下，作為一種標記制作的方法，我的繪畫在一個視覺空間內發展，形式對彼此作出反應，我試圖構建繪畫過程的概念敘述，它演化為完整的形象。隨著形狀和形式在抽象與表現之間的振蕩，我的繪畫也呈現出這種流動狀態，實際上抽象與表現之間的這種振蕩是我的一種翻譯行為。

Artist Statement

“Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perspective of the world. Thus I explain in a new way the world unknown to you.”

Dziga Vertov

Through challenging the boundaries of abstraction and representation, I investigate the transformation of subject matter to the painted image. Starting from variety of source materials from film to found images, my work emerges during the physical process of painting in the studio.

My work includes frequent alterations through which I build the narrative for the translation of ideas into the painting. Covered, recovered, painted and scrapped, the starting point of each painting is hidden deep under layers of drips and paint. As a result of different ways of mark making, my paintings develop within a visual space where forms react to each other in an attempt to build a conceptual narrative of the painting process rather than a finished image. My paintings evolve in a state of flux as the shapes and forms oscillate between abstraction and representation. This oscillation between abstraction and representation is in fact an act of translation.

【參展藝術家及作品選刊】

● NO.01 ● 末小末作品選刊

等待紙本水彩 2017 60x90cm（上苑藝術館收藏）

對海洋的渴望紙本水彩 2017 18x26cm.（上苑藝術館收藏）

對和平的向往紙本水彩 2017 60x90cm.（上苑藝術館收藏）

藍色系列十二紙本綜合 2017 90x90cm.（上苑藝術館收藏）

輪回紙本水彩 2017 18x26cm.（上苑藝術館收藏）

收獲的季節紙本水彩 2017 26x40cm.（上苑藝術館收藏）

守護紙本水彩 2017 60x90cm.（上苑藝術館收藏）

相遇紙本水彩 2017 13x19cm（上苑藝術館收藏）

● NO.02 ● Sara Ghahramani （伊朗）作品選刊

24x24系列之八紙本綜合 2017 21x28cm（上苑藝術館收藏）

24x24系列之二紙本綜合 2017 21x28cm（上苑藝術館收藏）

24x24系列之六紙本綜合 2017 21x28cm（上苑藝術館收藏）

24x24系列之七紙本綜合 2017 21x28cm（上苑藝術館收藏）

24x24系列之四紙本綜合 2017 21x28cm.（上苑藝術館收藏）

24x24系列之五紙本綜合 2017 21x28cm.（上苑藝術館收藏）

24x24系列之一紙本綜合 2017 21x28cm.（上苑藝術館收藏）

－－－－－－－－藝術家簡歷

末小末簡歷：

自由藝術家插畫師
1983年生于中國溫州
現居北京， 2017年4月入選北京上苑藝術館成為駐館藝術家。
Xiaomo-Mo
Free artist .illustrator born in 1983 in Wenzhou China. Currently live and work in Beijing as an museum artists for ShangYuan Art Gallery in April 2017.

參展經歷
2017年4月橋—北京上苑藝術館 2017“國際創作計劃”開幕展
2017年5月盡在其中—當代繪畫邀請展北京農展館
2017年8月【青春美術公社】“快樂+靈感+創造”學員作品展殷村常州
2017年8月 “靠近而行”當代藝術展東·空間宋莊北京

Exhibition experience
April 2017 Bridge: 2017 Shangyuan Art Museum International Residency Program Opening Exhibition   Shangyuan Art Museum, Beijing, China
IMay 2017, All in one：invitational exhibition of contemporary painting  Beijing NongZhanGuan China
August 2017, "youth art commune"： "happy and inspiration to create" exhibition Yin village Changzhou China
In August 2017, "Near"：exhibition of contemporary painting  East space Songzhuang Beijing China

Sara Ghahramani Curriculum Vitae（簡歷）