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"Human arrogance" Christine Lee Tyler (USA) solo

[2017-6-26 12:13:35]


Christine Lee Tyler(美國(guó)) 個(gè)展人類的傲慢” 

"Human arrogance" Christine  Lee Tyler (USA) solo exhibition

 

 展覽城市:北京 

City: Beijing

 

參展藝術(shù)家/ ArtistChristine Lee Tyler 克里斯蒂娜·李·泰勒(美國(guó))

 

開(kāi)幕時(shí)間:2017620日下午330

Opening:  june 20th 2017 3:30 pm



展覽時(shí)間:2017620日 ~ 2017630
Show time: june 15th 2017 - june 30th, 2017


 

地點(diǎn):北京懷柔區(qū)橋梓鎮(zhèn)沙峪口村 上苑藝術(shù)館二號(hào)展廳

Venue: Shangyuan Art Museum, Qiaozi County, Huairou District, Beijing

 

主辦單位:北京上苑藝術(shù)館

Organizer: Shangyuan Art Museum

 












克里斯蒂娜·李·泰勒/美國(guó)

 

     在《人類的傲慢》中,克里斯蒂娜·李·泰勒通過(guò)使用多種不同的圖解、符號(hào)和圖形,創(chuàng)造了一種能代表傲慢的松散敘事的組合。我的目的是讓觀眾能夠在這些作品中創(chuàng)造他們自己的對(duì)話。克里斯蒂娜故意使用讓人不安的模糊的類人形象,它們給人一種靈性/感性的認(rèn)識(shí)。這整個(gè)系列中,她使用了自己在中國(guó)、歐洲和她自己的家鄉(xiāng)美國(guó)旅行所收集的古典和現(xiàn)代的形象。

 

   克里斯蒂娜對(duì)人類的神秘主義傾向很感興趣。她的作品結(jié)合了歷史和全球的圖像、符號(hào)和形象。她使用了包含已知的象征符號(hào)、文化參照物的不同的媒介和形式,來(lái)代表不同的時(shí)代區(qū)間,最終創(chuàng)造出一種可識(shí)別的符號(hào)。

 

   克里斯蒂娜對(duì)通過(guò)視覺(jué)符號(hào)和象征來(lái)探索歷史上的人類身份認(rèn)知很感興趣。她研究那些能夠代表特定區(qū)域、宗教、階級(jí)、家庭關(guān)系和政黨的符號(hào)和形象。同時(shí),她也使用那些沒(méi)有任何屬性、和任何群體都沒(méi)有聯(lián)系的晦暗的符號(hào)。通過(guò)這些形象和將過(guò)去與現(xiàn)在連接起來(lái)的方式,她創(chuàng)造了一種探索未知世界的感知和直觀形象。

 

 

Christine Lee Tyler

Date of show: 6/20/17

Title of show: Human Presumptions (works on paper)

 

Artist Statement: In Human Presumptions, Christine Lee Tyler uses various iconography, symbols and patterns to create a composition that has a loose-based narrative that may be reduced to presumption. The intent is to allow the viewer to create their own dialogue in all of these works. Christine purposely uses haunting and vague human-like forms that can be perceived as spiritual and/or emotional. Throughout this series, she utilizes ancient and modern imagery that is derived from places she has visited in China, Europe and her home, the United States.

 

Christine is engaged in the mystical aspects of humankind. Her work combines historical and globalized pictorials, markings and iconography. She uses various media and patterns that contain recognized symbolism, cultural reference and represent disparate time periods to create an identifiable semiotic.

 

Christine holds an interest in exploring the history of human identity through visuals and symbols. She researches images that can be identified with a certain territory, religion, class, family relation and/or political party. Conjointly she works with iconography that have no affiliations or are obscure and can be related to any given group. She creates a sense a visual exploration of the unknown by working with such imagery and bridging the ancient to the modern.

 


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