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上苑波蘭駐館畫家烏拉·威爾克（Urszula Wilk）獲深圳國際水彩畫雙年展的最高獎
[2016-4-19 13:36:14]
上苑波蘭駐館畫家烏拉·威爾克（Urszula Wilk）獲深圳國際水彩畫雙年展的最高獎
Urszula Wilk(Polish artist）
(Shangyuan Art Museum Arts)
Polish artist Urszula Wilk "Line" Large Oil Painting Exhibitio
上苑－波蘭駐館畫家烏拉·威爾克（Urszula Wilk）獲深圳國際水彩畫雙年展的最高獎
波蘭畫家烏爾蘇拉·威爾克（Urszula Wilk）的作品《彗星系列》榮獲了深圳國際水彩畫雙年展的最高獎“深圳水彩獎”并被深圳美術館購買收藏。
本屆展會共收到了來自全球73個國家與地區藝術家提交的3779件參賽作品。經過作品評審，雙年展的國際評委會共評出了29項總價值60萬元人民幣的獎品。獲獎作品展及頒獎典禮在深圳舉行。
在此次雙年展之前，烏爾蘇拉·威爾克的作品已在中國成功地舉行過展覽。2012年她獲得了波蘭文化與國家遺產部的撥款參加了北京上苑藝術館駐館藝術家項目，駐館期間舉行了題為《線》（“Lines”）的巨型油畫展。
烏爾蘇拉·威爾克在首次訪問中國時還創作了一系列名為《來自北京未發信件》（“Unsent Letters from Beijing”）的作品，其中部分在中國舉行了展覽。接著，藝術家回波蘭之后，該作品在弗羅茨瓦夫 Entropia 畫廊舉行了展覽并被 Lower Silesian Society for the Encouragement of Fine Arts（下西里西亞激勵美術協會）購買收藏。烏爾蘇拉·威爾克的作品也將參加 Wrocław Contemporary Museum（弗羅茨瓦夫當代美術館）于2015年11月27日至2016年1月4日舉辦的題為“there is/there isn’t”集體展。
此外請參閱：
藝術家簡介：
2012年上苑藝術館“國際創作計劃”駐館藝術家
畢業于在弗羅茨瓦夫美術學院
1987 - 畫廊瓦特Pasażu - 弗羅茨瓦夫，波蘭
1989 - 寬帶無線接入 - “血淋淋的野上” - 弗羅茨瓦夫，波蘭
1992年 - 畫廊NA Odwachu弗羅茨瓦夫，波蘭
1993年 - 馬里沙龍，寬帶無線接入 - 波蘭的Nowy松奇，
1993年 - 畫廊WzgórzeZamkowe - 魯賓，波蘭
1994年 - 畫廊Gojowy - 德國克雷菲爾德，
1994 - 畫廊的M - Oborniki西里西亞，波蘭
1995年 - 畫廊Skalna - Strzelin，波蘭
1995年 - 阿爾特斯Amstgericht的 - Peterschagen，德國
1996年 - NA Odwachu畫廊 - 弗羅茨瓦夫，波蘭
1996年 - ZamekKsiążątBrzeskich - Brzeg的，波蘭
1997年 - Państwowa畫廊Sztuki - 萊格尼察，波蘭
1999年 - Bałtycka畫廊Sztuki - Ustka，波蘭
2008 - 畫廊DREI Eichen - Emern的，德國
2009 - Kościelak畫廊 - 弗羅茨瓦夫，波蘭
2010 - 畫廊Skalna - Strzelin，波蘭
PROJECT OF THE EXHIBITION
“My private area of protected landscape"
“The amazing prodigality of nature in the use of blue”
The art is associated with the nature just as much as it is related to the man. / as the man is bound to her. Artist standing on the border of relation between the culture and nature is a link of these two worlds, a sensitive recipient and a sender. “The amazing prodigality of nature in the use of blue" is a continuation of the project “My private area of protected landscape”. The world is an indivisibleunity and it belongs to both the nature and the man, his work and his art. The exhibition which is a summary of the project, presents a complete cycle and will be created as a painting space in which the image (painting) will be understood as partof the world, fulfilling the function of communication within the same world andrealised only a certain degree of perfection. The world of art and artists, a variety of artistic attitudes is really infinite and cannot be grasped just like the world of nature. Each element is of the essence of macro and micro perspective.
Consequence of my painting attitude is an important element of diversity andcomplement the creation of a common consciousness and yet I feel like an integralpart of nature.
“My private area of protected landscape" - consists of open, paint compositionsabout 4 max 7 m, consisting of 77 modules x110cm creating a pictorial space that, depending on the capabilities of the exhibition can grow or narrow. At the same timeeach component of a larger whole is a finite, self-image.
Construction of painting environment is a direct reference to nature, which consists of an unlimited number of elements, and these elements function in an infinite number of combinations. It is difficult to remain indifferent towards this fascinating ability of nature to the variability and uniqueness and ability toevolve.
Nature can create itself, through the creation of spatial forms, unique structuresexisting for a moment or centuries, changing color and light depending on time of day or year.
Painting measures are used in a way that extends the boundaries of the image - the space beyond the image and the space within the image - an image not having a permanent stroke and line stopping. Aspect of the fragment to form a whole and the relationship - background (the voice that reaches the empty space, having equalimportance of form and colour).
Painting-Image understood in this way - there is nothing in the illusionist, is purely visual and aesthetic sensation, intuitively engineered by the artist andgenerating an infinite number of worlds. The value is what is elusive and unnamedvariables and the viewer is actively cooperates in the creation of new meanings, andmeanings.
Urszula Wilk
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