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【現場】“中國的空間”丹麥藝術家安亞個展
[2015-10-31 20:07:59]
【現場】“已觀與未見”丹麥藝術家安亞的"調查中國的空間"展在上苑藝術館
[field] SEEN AND THE UNSEEN
INVESTIGATING CHINESE SPACES
ANJA MARGRETHE BACHE
DANISH INSTALLATION AND VIDEOARTIST
安雅·瑪格麗特·巴克
丹麥裝置和影像藝術家
MFA ROYAL ACADEMY OF FINE ARTS, SCHOOL OF VISUAL ART
PHD ARCHITECTURE
MASTER OF SCIENCE ENGINEER
MAIL@ANJABACHE.COM
WWW.ANJABACHE.COM
丹麥皇家藝術學院視覺藝術系 藝術創作碩士
建筑學博士
工程理學碩士
MAIL@ANJABACHE.COM
WWW.ANJABACHE.COM
PRESENT:
呈現：
“THE SOUND OF CHINA”- A VIDEOINSTALLATION
“BEHIND THE WALLS”- INSTALLATION IN PRIVATE HOMES IN SHAYOUKOU VILLAGE
“CERAMIC ENTROPY”- MUSEUM INSTALLATION ONE
“PATTERNS OF MEMORIES” – MUSEUM INSTALLATION TWO
“中國之聲”——影像裝置
“墻之后”——沙峪口村私人住家中的裝置作品
“瓷熵”——藝術館裝置作品一
“記憶的模式”——藝術館裝置作品二
AT: shangyuan art museum
26. october 2015 - BEIJING - CHINA
地點：上苑藝術館
2015年10月26日 – 中國·北京
WITH合作者
SEUNGJAE LEE
KOREAN ART PHOTOGRAPHER
AS COLLABORATIVE PHOTOGRAPHER IN THE PROJECT
”BEHIND THE WALLS” AND
VIDEO-RECORDER IN ”THE SOUND OF CHINA”
WWW.LEESEUNGJAE.COM
李承宰
韓國藝術攝影家
作為合作攝影師參與項目
“墻之后”并且
在“中國之聲”中錄制影像
MA XIN
CHINESE PAINTER AND PERFORMER
AS VIDEOPERFORMER IN ”THE SOUND OF CHINA”
馬鑫
中國畫家和表演者
作為影像表演者參與“中國之聲”
LIN WANG
CHINESE COMPOSER
AS COMPOSER OF VIDEOMUSIC USED
IN THE VIDEO ”THE SOUND OF CHINA”
王琳
中國作曲家
為“中國之聲”作曲
THE ART PROJECT IS FUNDED BY
the danish art council - PRODUCTION FOUNDATION
THE DANISH ART COUNCIL - ART FOUNDATION
the DANISH CENTRAL BANK ANNIVERSARY FOUNDATION OF 1968
Grosserer J.L. Foghts FoUndATION
THANKS A LOT
該藝術項目由以下機構資助：
丹麥藝術委員會 – 制作基金會
丹麥藝術委員會 – 藝術基金會
丹麥中央銀行1968年周年紀念基金會
GROSSERER J.L. FOGHTS 基金會
SEEN AND THE UNSEEN
INVESTIGATING CHINESE SPACES –INTRODUCTION
anja margrethe bache
已觀與未見
調查中國的空間
安雅·瑪格麗特·巴克
We turn clay to make vessel, but it is on the space where there is nothing that the usefulness of the vessel depends. We piece doors and windows to make a house; And it is on these spaces where there is nothing that the usefulness of the house depends. Therefore just as we take advantage of what is, we should recognize what is not. Dao De Jing, a fourth century BCE of Laozi, (Waley,1958).
In 2015 I was selected for an artist in residency program at Shangyuan Art Museum in Beijing China.
Here I wanted to investigate present Chinese ceramic spaces as layers of telling from the dynasties, the culture revolution and present. My focus HAS been on the Chinese tradition of architecture, ceramic and wooden furniture for which China is world famous.
The Shangyuan Art Musem is placed in Huairou District in Shayoukou Village. It is in the countryside more than 2 hours with bus from Beijing Center and close to the mountains and Mongolian border.
Here I met a Chinese farmer and village culture very close to the earth, the fruit and vegetables they grow, the cheeps and chickens they raise and their family complexes behind tall enclosing walls. The earth is represented in the bricks and the wood, that make the frames for the villagers life’s being stacked in bundles all over for later use or reuse. These ever changing accumulations of materials is not as a part of an overall design-program. their beautiful colors, textures materiality, and combinatorics patterns is just based on pure functional approach. It is from this landscape of present ceramic and wood culture, mixed with the fascination of the pasts Chinese tradition of the architectural ground plan, wooden interior window frames and furniture that the projects
THE SOUND OF CHINA- A VIDEOINSTALLATION
BEHIND THE WALLS- INSTALLATION IN PRIVATE HOMES IN SHAYOUKOU VILLAGE
CERAMIC ENTROPY- MUSEUMSINSTALLATION ONE
PATTERNS OF MEMORIES - MUSEUMSINSTALLATION TWO
take its starting point. It is with the admiration for the Chinese tradition of craft and art, as well as with the curiosity of knowing more about China today, that these art works are unfolded.
The space I investigate is the physical one based on materials, light and sound, but also the non physical space, the perception of atmospheres.
At Shangyuan Art Musaeum I was happy to meet the Korean Art Photographer Seungjae Lee, the Chinese painter and performer Ma Xin and the Chinese composer Lin Wang.
They are all a part of this project and this exhibition, contributing not only with specific works as for Seungjae, as videorecorder for the video and taking many of the photos for the home installations, , Ma Xin as performer in the video, they have also been a very important support and good friends all through the residency program.
THANKS TO SEUNGJAE LEE AND MA XIN AND TO LIN WANG FOR LETTING ME USE HER MUSIC.
The Danish Art Council the Central Danish Bank Anniversary Foundation of 1968 and Grosserer J.L.Foghts Foundation has supported my Artist In Residency At Shangyuan Art Museum, thanks to them for making it possible.
And thanks to Shangyan Art Muesum for inviting me.
Anja Margrethe Bache, Shangyan Art Museum, Beijing, China, 2015
A LITTLE ABOUT THE WORKS:
“CERAMIC ENTROPY”
MUSEUMIN TALLATION ONE
The idea of entropy comes from a principle of thermodynamics
dealing with energy. It usually refers to the idea that everything in the universe eventually moves from order to disorder, and entropy is the measurement of that change.
http://www.vocabulary.com/dictionary/entropy
UNFIRED STONEWARE AND BRICKS
INSTALLATION, VIDEO AND PHOTOS
ANJA MARGRTHE BACHE
PATTERNS OF MEMORIES
MUSEUM INSTALLATION TWO
WOOD-BRICKS AND PAINTING
THE SOUND OF CHINA
BY ANJA MARGRETHE BACHE
WITH
Videorecorder: Seungjae Lee
Videoperformer: Ma Xin
AND MUSIC:LIN WANG
BEHIND THE WALLS
FOUR PRIVATE HOMES IN SHAYOUKOU VILLAGE - THREE POSITIONS EACH PLACE
THE URBAN SPACE - THE GATE
THE SEMI PRIVATE SPACE - THE COURYARD
THE PRIVATE SPACE -THE LIVING ROOM;
THE HOUSES CHOSEN WAS THOSE FOUR HOUSES THAT FIRST OPENED UP THEIR HOMES AND WELCOMED THE ARTPROJECT.
INSTALLATION ART IS COMMONLY DONE IN RELATION TO AND WITH A KNOWLEDGE OF THE SPECIFIC SPACE IT IS GOING TO BE INSTALLED IN. I DIDNT KNOW THE HOMES BEFORE INSTALLING MY ARTWORK.
AFTER A SHORT GLANCE OF FEW MINUTES I STARTED UP INSTALLTING THE ARTWORKS AND
SEUNGJAE LEE AND I TOOK THE PHOTOS SHOWN IN THIS PRESENTATION WHILE MA XIN WAS OUR CONTACT TO THE FAMILIES.
THE ARTWORK CONSIST OF CERAMIC AND WOOD OBJECTS. THEY ARE FORMED IN RELATION TO THE BRICK AND THE CHINESE ANCIENT WOODEN INTERIORS AS FURNITURE, WINDOWFRAMES AND ROOF-CONSTRUNTIONS, TRYING IN THAT WAY TO OBTAIN A DIALOQUE WITH TIME SPACE AND CONTEXT.
THANKS TO THE FAMILIES THAT INVITED IN THE PROJECT.
INSTALLATIONS
ANJA MARGRETHE BACHE
PHOTOS:
ANJA MARGRETHE BACHE AND SEUNGJAE LEE
CHINESE SPACES / 中國的空間
shangyuan art museum / 上苑藝術館
26 OF october 2015 / 2015年10月26日17:30
Shaoukou village
huairou DISTRICT
BEIJING
北京市懷柔區橋梓鎮沙峪口村
INVESTIGATING SPACES IN CHINA
BY CERAMIC INSTALLATION ART
通過陶瓷裝置作品來探索中國的空間
”BEHIND THE WALLS” / 墻之后
PRIVATE HOMES - ART INSTALLATIONS / 私人住宅 – 藝術裝置
”MUSEUM INSTALLATION 1 AND 2” / 藝術館裝置1號和2號
CERAMIC AND WOOD INSTALLATION / 陶瓷和木質裝置
”THE SOUND OF CHINA” / 中國之聲
A VIDOEINSTALLATION / 一個影像裝置
ANJA MARGRTEHE BACHE / 安雅·瑪格麗特·巴克
WITH / 與
SEUNGJAE LEE / 李承宰
AS PHOTOGRAPHER AND VIDEO RECPORDER / 攝影與錄像
MA XIN / 馬鑫
AS VIDEOPERFORMER AND TRANSLATOR / 視覺表演者與翻譯
LIN WANG / 王琳
AS COMPOSER / 作曲
安亞（Anja Margrethe Bache）主要從事建筑設計，設計材料的設計、 流程設計和可與建筑構件進行動態關系的設計。其中以陶瓷釉料處理具體形式為建筑結構是她的發展項目，用她的作品來形成與發展新的感官體驗和感知我們周圍的空間。
安亞（Anja Margrethe Bache）丹麥哥本哈根皇家美術學院的藝術家，副教授， 工程碩士和建筑學博士。
－－－－－－－－－－－－－
上苑 & 鳥巢－文學藝術國際聯盟（簡稱：國際文盟）
International Network of Literature and Art（INLA）
電話: 010-60635299 60635757
Website: http://www.inlac.cc/
http://www.sh-yinshua.com/
交通指南□北京東直門916路、942路到懷柔，轉杯柔-沙峪口（上苑藝術館）
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