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guanghui zhang（2008 Shangyuan Art Museum Artist Re
[2012-11-21 10:36:11]
guanghui zhang（2008 Shangyuan Art Museum Artist Residency）
Professional artists
Born in 1975 in Nanjing, Jiangsu
Study in Nanjing College of the Arts in 1995
Graduated from the Nanjing College of the Arts in 1999.
Now living and working in Nanjing
He has taken part in :
Nanjing, Jiangsu Province, the first Art Festival
Oil Painting Exhibition of Jiangsu Nanjing in 2001
liao Xiuping, printmaking workshop 10th Anniversary Retrospective in Nanjing
education print exhibition for college in Guangxi 2,000
"Drift" painting exhibition galleries in 2003
"Reading Beautiful" Modern Art Exhibition Art Center St. plan in 2004
"Hongqiao June," Oil Painting Exhibition Hongqiao six galleries in 2005
Hangzhou Youth Invitational Exhibition of Contemporary Painting in 2006
"May" oil Painting Exhibition in Shanghai in 2006
Contemporary Oil Painting Exhibition "shiny splendor" in Chuangjia Ming Beijing International Art 2007
Documentary Exhibition of Contemporary Art Beijing 2008
54 International Youth Arts Festival Beijing 2008
"Transparent" Contemporary Art Exhibition Suzhou 2008
"2 +2" four-member Joint Exhibition 2008
Visual game, "China and South Korea Youth Exchange Exhibition 2009
Even naive to refute "the great fictional trio Exhibition Beijing 2009
"Green" Contemporary Art Exhibition 2009
Many works have been collected in Shanghai ZHONGFU,GeHua art gallery, HongWang art gallery auction company
受難與復(fù)活（二連）
受難與復(fù)活（單幅）
催眠術(shù) 175cm35cm 布面油畫
三種植物（二） 110CM90CM 布面油畫
三種植物（一） 110CM90CM 布面油畫
物體 70cm80cm 布面油畫
有很多事情是我們所不明白的(十字) 120CM60CM 布面油畫
雨季-1- 70cm80cm 布面油畫 .
雨季-2- 70cm80cm 布面油畫
Ambiguous image and lonely dialogue
- on the painting Zhang Guanghui
By shang yong
I think that contemporary painting can be broadly divided into two types: those which are involved in the exploration of the stubborn,another is not a gesture to show the presence of the diversity and possibility. Heel in the prior-style setting, and like to insist on finding the true of utopia.It does not mean that a privilege who has a natural personality must give up this natural personality requested by the freedom and independence, and this relationship is not as the years of realism, that represents an authoritarian face of the knees or to comply with. It is known, everyone can completely comfortable in his own way to understanding and explain his life.
The trance is true, those clear points may happen numerous different possible points when you are thinking.when they hinted at the direction of ultimate meaning is also to beat our hearts which is extremely sensitive poetic. Exist always hides unlimited information and ambiguous unclear, in the face of it, you do not have the raw passion and hypocritical rhetoric, any thought would be a prudent and ignorance.
Painting is a amativeness which relianced on manual , in the course of those restraint, and even boast of publicity to show, and even the danger of fascinated by the depth, the soul is not an injury poison the contrary, no This intoxicated, no painting, any painters will be as a drunk man to Knockout by lonely.
Zhang Guanghui’s early works seem to have some expression of violence, such as a strong with full anger of young man, body fluids will pee to the whole world with a laugh. His pictures seemd to imply that modern people can not escape from the material and spirit of the double confusion, it is a helpless, yield, contempt, panic, call, anger, emotional stricken form of the divide, the exclusion of the situation, and witness body in the screen , the intake of the nightmare of terror throughout, it means a disillusioned as the ultimate other side, it is to sink to death.
Later, he slowly mature and become good at using black humor to remove this individual and the external tension. His nostalgic picture increasiangly reveals the sentimental lyrical color, the initial confusion and passion, as have an accost, retired in the increasingly ambiguous hazy film on the youth. This stage in his choice of subject matter began relatively complex and not without even chasing the suspected use of fashion from the old star as old or as the family life.Yes, we have a similar collective memory, expressed through the painting disappeared and a resurgence of the process, time and memory by continuing enhancement and diluted, and the memory of the embarrassment does not block the stubborn scale through the mechanism of painting self-final to scrubbing.
I think that those who developed the first generation of collective memory of the significance of the artist is keen veins and lucky, they opened a whole generation of people’s expression of desire and this will further extend the depth of interpretation. Zhang Guanghui is not the discoverer of these veins, but he delighted by this enlightenment, with adults and children toys to play in the form of interpretation of history and reality, fairy tales and myths; re-definition of the so-called grand narrative is a generation of authoritarian-style interpretation of history questioned and deconstruction. Acrylamide in these works, Zhang Guanghui tried to participate in thinking which is a subversive and personal discourse through the design and composition show.
In the lonely time usually think of toys and dialogue, we can see that he tried to to show the nature of loneliness though these paintings in a minimalist way . Loneliness is a dark background of the stage, we are paly with ourselves on the stage - Later, toys and significance have been disposed
編輯：馬力
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北京·上苑藝術(shù)館 “國際創(chuàng)作計(jì)劃”（藝術(shù)駐留） 常年接受申請(qǐng)
上苑駐館藝術(shù)家的國際居留計(jì)劃生活記實(shí)
就上苑“國際創(chuàng)作計(jì)劃”答《中國新聞周刊》記者問
上苑藝術(shù)館-程小蓓接受《上層》雜志專訪
上苑藝術(shù)館-程小蓓·答韓國光州《全南日?qǐng)?bào)》記者問
程小蓓答《美術(shù)周刊》記者問
程小蓓就建筑藝術(shù)答詩人、建筑批評(píng)人問
美國威斯康辛大學(xué)-展出程小蓓攝影《活路》作品選登
【現(xiàn)場】《在可說的這一切》毋蓬勃個(gè)展 21日在上苑藝術(shù)館
【現(xiàn)場】“無人棲居” 王毅、閆科含雙個(gè)展
【現(xiàn)場】 記憶：后視鏡中的戲劇——上苑藝術(shù)館主題項(xiàng)目展
【現(xiàn)場】“中國的空間”丹麥藝術(shù)家安亞個(gè)展26日在上苑藝術(shù)館
【上苑藝術(shù)館】鳥巢展出2015駐館藝術(shù)家作品同步認(rèn)購價(jià)目表
【上苑藝術(shù)館】2007－2008駐館藝術(shù)家作品認(rèn)購價(jià)目表
【上苑藝術(shù)館】 2009－2010駐館藝術(shù)家作品價(jià)目表
【上苑藝術(shù)館】2011-2012駐館藝術(shù)家作品認(rèn)購價(jià)目表
【上苑藝術(shù)館】2013駐館藝術(shù)家作品認(rèn)購價(jià)目表
【上苑藝術(shù)館】2014駐館藝術(shù)家作品認(rèn)購價(jià)目表
【上苑藝術(shù)館】2016上苑駐館藝術(shù)家作品認(rèn)購價(jià)目表
北京 上苑藝術(shù)館－107平米房屋轉(zhuǎn)讓－相關(guān)資料及實(shí)景圖
出租工作室－上苑藝術(shù)館，電話：60635299
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北京 上苑藝術(shù)館－ 電話: 010-60635299 60635757
上苑藝術(shù)館官網(wǎng) http://www.sh-yinshua.com/
文學(xué)藝術(shù)國際聯(lián)盟（簡稱：國際文盟）網(wǎng) ：Website: http://www.inlac.cc/
上苑英文站點(diǎn)：http://resartis.org/en/residencies/upcoming_deadlines/?id_content=3938
交通指南 ：
□北京東直門916路、942路到懷柔，轉(zhuǎn)懷柔-沙峪口（上苑藝術(shù)館）
□京承高速12出口 > 右拐過水渠西行2KM > 良善莊路口北行到底>右拐300m路北
上苑藝術(shù)館地圖及衛(wèi)星圖
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