展覽城市：北京
City: Beijing
策 展 人：程小蓓、 肖毓方、 張志剛、 蘇豐雷
Curator: Cheng Xiaobei, Xiao Yufang, Zhang Zhigang, Su Fenglei
展覽時間：2016年10月 ~ 2017年4月
Period: October 2016 to April 2017
地點：北京懷柔區橋梓鎮沙峪口村 上苑藝術館一號展廳、二號展廳、圖書館
Venue: Shangyuan Art Museum, Qiaozi County, Huairou District, Beijing
主辦單位：北京上苑藝術館
Organizer: Shangyuan Art Museum
參展藝術家/ Artist：
COLETIVO QUATRO PATAS（巴西）、Dani Godreau（美國）、Ludwika Ogorzelec（法國）、劉磊、高鵬、古洪強、 María Peña Coto（西班牙）、曲盈、毋蓬勃、王毅、王曉冬、王雅慧、王戎、王元元、冼朝干、Yanyi “Sunny” Jiang（比利時）、閆科含、楊偉能、張濤、張懿
COLETIVO QUATRO PATAS, Dani Godreau, Ludwika Ogorzelec,Liu Gao Peng, Gu Hongqiang, María Peña Coto, Qu Ying, Wu Penbo, Wang Yi, Wang Xiaodong, Wang Yahui, Wang Rong, Wang Yuanyuan, Xian Zhaogan, Yanyi "Sunny" Jiang, Yan Kehang, Yang Weineng, Zhang Tao,Zhang Yi
前言/Introduction：
富有知覺的思想（作為藝術表現中的思想應該知覺化）來源于經驗，技術也是一種經驗，藝術構成中的這雙重經驗需要漫長的時間、借鑒、碰撞，并在虔誠的執著陪伴下才能達致某種成熟度，對藝術生成實質性的影響。
Conscious thinking (as the idea expressed in art should be realized in consciousness) comes from experience, so are techniques. To form such dual experiences in art construction requires a lot of time to think and find inspiration with almost religious piety. It is very difficult to achieve any degree of maturity and have an actual impact on art production.
上苑藝術館所構筑的并且也是落地實踐的，正是這雙重經驗在不同藝術家，甚至是不同類型藝術家之間的互動、互啟、互滲——顯然不可能指望在這里完成，但是如果用心的話，卻能使這里成為你藝術生涯中的重要一站。更確切地說，上苑藝術館并不理想，但是她又最為接近理想。這里的基礎硬件有待于改進，在這里駐館的人有待于更用力地使用這里的資源，但是這里卻擁有最稀缺的自由，她的民間性和她的開明的管理雙重地保護這里的交流，是個體針對個體，或者說是心靈針對心靈的。也是因此，這里構成了藝術家創作、研修、交往的凈土，成了藝術精靈活躍的沃土。你可以拿出更多時間用于觀摩學習，也可以大多時間靜修鉆研，怎么在這里駐館，除了必要的規定性的交流活動，根據你身心的需要而定，沒人管制你。一句話，這里不是幫你成名的平臺，而是助你成熟自我（作為藝術家的雙重經驗的成熟）的一個起點、站點、轉捩點。這是基于我的經驗的一些感想。
What Shangyuan Art Museum have been constructing and practicing are exactly the interaction, permeation and mutual inspiration of these dual experiences among different artists, even among artists from different discipline. Of course, not all can be achieved here. But if you pay enough attention, here can be one of the most important stop of your career as an artist. To be more precise, Shangyuan Art Museum is not utopia, but she is the one that closest to utopia. The infrastructure can be improved, and resident artists should make better use of the resources here. However, what makes here special is the rare presence of freedom. She, as a private organization with very transparent management, protects the freedom of communication among individuals. That is also why Shangyuan became a sanctuary for artists to work, develop and interact with each other. You can spare more time to learn from others, or just stay inside and do some soul searching. Except from compulsory group activities, nobody will force you to do anything. What you want to do during the residency programme is essentially up to yourself. Let me clear, this is not a platform for you to get famous, but a place where you can start, transform or mature yourself and quest for the dual experiences as an artist. This is some of my experience as a resident artist here.
——蘇豐雷Su Fenglei
作為全球最大的非盈利藝術駐留機構，“2016駐留藝術家年展”是上苑藝術館國際駐館計劃重要的一個部分，也是在此七個月駐館結束時的自我檢驗。
As the biggest nonprofit residency programme in the world, 2016 International Residency Programme Annual Exhibition is a very important part of Shangyuan Art Museum’s annual residency programme. It is also a chance for self-reflection for resident artists.
每年世界各地的藝術家不斷地走進來又不斷地從這里走出去。這兒有擦肩而過的人、有特立獨行的人、有才華橫溢的人、有樂于助人的人、有自私自利的人、有帶著夢想的人、有不斷進取的人、有志同道合的人……大家聊天、討論、喝酒、品茶、發呆、工作。
Every year, artists from all around the world come and go. Among them, there are those eccentric ones, ones with great talent, helpful ones, selfish ones, dreamers, hard workers and the ones that you befriend with. We talk, discuss, drink alcohol, enjoy tea, stare at blank wall and work.
藝術館長久做著在藝術界里雪中送炭的事，雖然鮮有回報，但義無反顧。對藝術家而言，來了，珍惜，體驗，在記憶中留下痕跡，這就得到了。
The museum for many years is providing timely help to needed artists, even though there are rarely any payback. For artists, come here and gain experiences that can make leave a trace in their memory is already worth it.
藝術展是審視也是激勵，看見他人反視自我，用平和的心結束然后再開始。有句古話說“相忘于江湖”，其實，雁過留痕又何曾相忘？你來我往，記憶還猶新。無論是誰，帶走的和留下的不僅僅是藝術，還有人生。
The gaze of inspection in an exhibition is also encouragement, through which you can look back at yourself and seek a peaceful ending which will allow you to find a new start. There is an old saying in China:” Let’s forget ourselves in the rivers and lakes”. In fact, have we ever forget those who left a trace in our life? We come and go, the memory is still fresh. What we have taken and left is not only art, but piece of life.
——張志剛Zhang Zhigang
上苑藝術館的藝術駐留－國際創作計劃，已進行到了第9個年頭。
This is the 9th year of Shangyuan Art Museum’s International Residency Programme.
作為藝術駐留的專業機構，隨著國際知名度的不斷提高，每年都有20多個不同國家的藝術家申請上苑的藝術駐留。今年有7個國家與地區的38名藝術家，詩人、音樂家、畫家、雕塑家、行為……齊集一堂。6個月過去了，現在是展出他們成果的時候。歡迎大家前往觀看。
As an organization specialized in residency programme, we are gaining international recognition every year. Annually we receive applications from artists from over 20 countries. This year, we have 38 artists from 7 different countries and regions, among them there are painters, poets, musicians, sculptors and etc. Now the 6-month residency period has passed, it is time for time to show everyone what they have achieved here. We warmly welcome everyone come and see the exhibition.
——程小蓓（Bertha）
