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Cortés.Zou City of sacrifice solo exhibition in Sh

[2017-9-7 9:13:10]

【展訊】鄒彧個(gè)展“城祭”9日在北京上苑藝術(shù)館

Cortés.Zou City of sacrifice solo exhibition in Shangyuan Art Museum

藝術(shù)家| Artist：鄒彧| Cortés.Zou

開幕時(shí)間 | Opening：2017.9.9 15：30 pm

展覽時(shí)間 | Exhibition Dates：9.9- 9.14.2017

地點(diǎn)|Venue：

北京上苑藝術(shù)館BEIJING Shangyuan Art Museum

地址|Add.

北京市懷柔區(qū)橋梓鎮(zhèn)沙峪口村上苑藝術(shù)館 |

Shangyuan Art Museum , Qiaozi County, Huairou District, Beijing

自述:

當(dāng)下這個(gè)時(shí)代迅速的發(fā)展，人們心里的承受能力和現(xiàn)實(shí)的發(fā)展速度產(chǎn)生了距離，近而，自我的意識(shí)被物質(zhì)意識(shí)逐漸所取締,在這個(gè)過(guò)程中開始了自我消融和吞噬；作品的形式我采取的是建筑的某一局部去掉對(duì)透視的解釋，無(wú)序中并發(fā)著有序的可能性，進(jìn)而在二維平面的基礎(chǔ)上用直線對(duì)空間深度的探索，錯(cuò)落復(fù)雜的線條也是我探索人與人之間心理復(fù)雜的詮釋和對(duì)物質(zhì)社會(huì)的矛盾�！皯n傷”始終是我的一種情懷，人生就在痛苦和無(wú)聊之間搖擺。

The current era of rapid development, the people of the heart to bear ability and speed of the development of the real produced distance, close to the, the consciousness of self is banned by the physical consciousness gradually, in the process has started to give itself a melting and devoured; Work I take building, in the form of a local get rid of the interpretation of the perspective, randomness, concurrent with the possibility of orderly, and then on the basis of two-dimensional plane with a straight line on the depth of space exploration, strewn at random complex line is also my interpersonal complicated interpretation of psychological and social contradictions to the material. "Sadness" is always my feeling, life is between pain and boredom.

《Break a promise》系列，布面材料 65x70（上苑藝術(shù)館收藏）

張一琤評(píng)語(yǔ)：

鄒彧所尋不止于一個(gè)訊息的傳遞或一個(gè)價(jià)值的實(shí)現(xiàn)，更是一種由當(dāng)下而溯往昔，由一隅而度天地襟懷。他如探險(xiǎn)者日復(fù)一日在他生活的天地里悄無(wú)聲息地作出各種發(fā)現(xiàn)，開始用他個(gè)人不尋常的語(yǔ)言連接當(dāng)下與源初，給予技術(shù)與消費(fèi)時(shí)代的失憶者們以悠遠(yuǎn)的追憶——繪畫猶如眼睛，一次只能居于一處，來(lái)呈現(xiàn)洋溢的生機(jī)與力度。

Cortés.Zou’s search for not only the transmission of a message or the realization of a value, but also a kind of the current and the past, from a corner of the world. He like explorers, day after day in his life quietly in the heaven and earth to make all kinds of found, began to use his unusual language connects the present and at the beginning of the source, technology and consumption in the era of the amnesia is to recall - paintings are like eyes and long, can only be in one place at a time, to present with vigor and strength.