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劉濤(觀念攝影)
[2012-12-19 8:54:05]
劉濤(觀念攝影)
1985年出生于江西省高安市。現(xiàn)居上海。
展覽：
2011年
覺——新的一代攝影展，安杰當(dāng)代畫廊，上海
2012年
“浮雪”中西雙人展，草場(chǎng)地鹽馬幫，北京
SWAB當(dāng)代國際藝術(shù)博覽會(huì)，巴塞羅那
“微路”劉濤個(gè)展，滿室，北京
“微路”劉濤個(gè)展，大理國際影會(huì)
“秘密7”藝術(shù)群展，輪回空間，上海
Berliner Liste新秀藝術(shù)博覽會(huì)，柏林
“微路”劉濤個(gè)展，平遙國際攝影節(jié)
Cutlog當(dāng)代國際藝術(shù)博覽會(huì)，巴黎
Surge當(dāng)代藝術(shù)節(jié)，上海
Photo Off 攝影藝博會(huì)，巴黎
淪荒
逸黨No.21.
微路No.16.
微路No.27
微路No.36
微路No.58
微路No85
微路No.94
作品闡述:
微路 THE WEAK ROAD
弱者微路行，赤身浮雪輕。削足適履景，恣意濃湯凝。
The weak walks on a weak road, naked body is as light as float snow. Don’t cut feet to fit shoes, be profligate as everything will go back to origin.
某日，翻《傳習(xí)錄》，看到“湯中浮雪”四個(gè)字，當(dāng)下驚心——妙語如斯哉，洪荒攣結(jié)跳蕩的宇宙，時(shí)間對(duì)我們不恰是一盤巨大的濃湯，任何個(gè)體都被迫接受煎熬的命運(yùn)。我們是時(shí)間的食料。稀爛以至于殘骸殆盡是殊途同歸的未來。
One day, when I read Study Record, I was shocked to see the words “Snow floating on the soup”,
It was just precise----time is only a huge plate of soup, any individual is forced to accept the fate of decoction. We are the food of time. Residue of food or even nothing exist is the same future by different routes.
但充斥著金錢游戲的現(xiàn)代文明不斷以華麗的信息鼓吹著“享受當(dāng)下”的勁風(fēng)，微弱的個(gè)體無法自控地隨之搖擺，最終加入了這場(chǎng)在時(shí)間這盤濃湯中瘋狂作亂的派對(duì)。每個(gè)人都像贏得了從死亡這個(gè)未來一勞永逸地背離出來的機(jī)會(huì)的囚犯一般對(duì)時(shí)間失去了敬畏，他們對(duì)時(shí)間百般嘲弄，萬般挑釁。
However, the modern civilization within full of money games is keeping preaching ‘Enjoy Now’. The weak Individuals can’t help swaying, and finally join the crazy party: the dish of time soup. Everyone loses the fears to time, just like the prisoner who has got a chance to escape from death future, provoking and mocking at time at will.
他們毀掉一切。并不僅僅是古老的建筑。并不僅僅是歷史。更包括人之為人的那份渺小。他們堅(jiān)信自己是偉大的，堅(jiān)信自己走著一條偉路，沿著它，人類必將擁有一個(gè)全新的未來。他們相信自己正在發(fā)光，時(shí)間仿佛因之變亮，而此前時(shí)間是死氣沉沉的。多么叫人驚嘆，他們活躍了這個(gè)時(shí)代，給了它激情四溢的生命。他們深深地驕傲于自己在時(shí)間的湯面里優(yōu)雅征服優(yōu)雅掃蕩的形象，陶醉于權(quán)力與暴力共舞的深深魔力。他們不但掌握了自己，還撼動(dòng)了世界。
They ruin everything, not only old buildings and the history, but also the tininess that why a person becomes a person. They believe themselves are great. They believe in that they are walking on a great way, along which people will have a brand new future for sure. They believe they are shining and they brighten the time which was inanimate previously. How amazing: they motivate the world and give it a passionate life. They are deeply proud of the elegant images they left in the soup of time. They are intoxicated with the magic of the mixture of authority and violence. They control themselves, shake the world as well.
不論是在中國，還是美國，因宣告?zhèn)ヂ范?dòng)流淚的面孔，總是占據(jù)著放肆朝向我們的屏幕。個(gè)體被迫接受一種新的時(shí)間制度，一種新的煎熬。在這種時(shí)間制度中，人的靈性有了樣子，并且有了正確的樣子。
No matter where, China or the United States, the faces with tears of excitement when hearing the great way always occupy the screens we cannot avoid watching. The individual is forced to accept a new time system, a new kind of suffering. In this system, people thus possess a spiritual appearance, and a right one.
坐在屏幕前，接受激動(dòng)的詞匯滔滔不絕地洗禮我們的身心。我們將一天一天地變得干凈，變得圣潔，變得熱愛激動(dòng)。我們一天一天地看著世界變得如此繁華，如此強(qiáng)壯，如此偉大。我們因?yàn)闅⒌趔w內(nèi)錯(cuò)誤的靈性而激動(dòng)流淚。
Sitting in front of the screen, we accept the baptism under those exciting words never-falling. We are becoming cleaner, holier and more emotional from day to day. Every day we see the world getting more and more prosperous, which is so strong and so great. We are moved to tears while we are killing the wrong spiritualism in our bodies.
被侮辱與被損害的將永遠(yuǎn)是錯(cuò)誤的。而屏幕將永遠(yuǎn)正確。但是，誰在引導(dǎo)時(shí)間，什么在鑄造時(shí)間？
Being insulted and damaged is definitely wrong, the screen is always right. However, who is guiding time? Who is casting time?
懷疑是錯(cuò)誤的，它將狠狠鞭笞我們，奪走我們的真善美，使我們一無所有，使我們與娛樂無緣，眼中出血，疲累至死。
Suspecting is wrong, which beat us mercilessly and take love, beauty and kindness away from us. It will lead us to have nothing, bleeding eyes and tired to death.
《微路》是一曲懷疑者之歌。他渴望擁有自己的屏幕去填進(jìn)屬于他的不從，去保有他的不信。
The Weak Road is a song of skeptics. He is eager to own a screen in which he can fill his disobeyal and to keep his suspicion.
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